The Locator -- [(subject = "Heimatfilme--History and criticism")]

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Author:
Ashkenazi, Ofer, author.
Title:
Anti-heimat cinema : the Jewish invention of the German landscape / Ofer Ashkenazi.
Publisher:
University of Michigan Press,
Copyright Date:
2020
Description:
ix, 302 pages : illustrations ; 24 cm
Subject:
1900-1999
Heimatfilme--History and criticism.
Jews in motion pictures.
Jews in the motion picture industry--Germany.
Motion pictures--Germany--History--20th century.
Heimatfilme.
Jews in motion pictures.
Jews in the motion picture industry.
Motion pictures.
Germany.
Criticism, interpretation, etc.
History.
Notes:
Includes bibliographical references (pages 263-288) and index.
Contents:
6. History as Heimat: The Puzzling German Landscapes of Konrad Wolf. 2. The Menace and Promise of Heimat in the Early Weimar Era: E. A. Dupont's Cinematic Landscapes -- 3. The Weimar Legacy: Helmar Lerski and the Outing of the Anti-Heimat Film -- 4. The Beloved Soil of the Vaterland: Returning Exiles and the West German Landscape -- 5. No Way Back: Jewish Remigres and the City as Heimat -- 6. History as Heimat: The Puzzling German Landscapes of Konrad Wolf.
Summary:
"Anti-Heimat Cinema: The Jewish Invention of the German Landscape studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers' contemplations of "Heimat"--A provincial German landscape associated with belonging and authenticity-it analyzes their distinctive contribution to the German identity discourse between 1918 and 1968. In its emphasis on rootedness and homogeneity Heimat seemed to challenge the validity and significance of Jewish emancipation. Several acculturation-seeking Jewish artists and intellectuals, however, endeavored to conceive a notion of Heimat that would rather substantiate their belonging. This book considers Jewish filmmakers' contribution to this endeavor. It shows how they devised the landscapes of the German "Homeland" as Jews, namely, as acculturated, "outsiders within." Through appropriation of generic Heimat imagery, the films discussed in the book integrate criticism of national chauvinism into German mainstream culture from World War One to the Cold War. Consequently, these Jewish filmmakers anticipated the anti-Heimat film of the ensuing decades, and functioned as an uncredited inspiration for the critical New German Cinema"-- Provided by publisher
Series:
Social history, popular culture, and politics in Germany
ISBN:
0472132016
9780472132010
OCLC:
(OCoLC)1114831199
LCCN:
2020011743
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

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