Introduction -- Pitch-class tonality -- The modal gamut in the sixteenth century -- Tonality and systems in the seventeenth and early eighteenth centuries -- Tonality and systems in the middle-late eighteenth century : the classical ideal -- Nineteenth-century approaches to eleven pitch-class systems derived from the Viennese classical tradition -- Pitch-class systems in the music of middle to late nineteenth-century romantic composers -- The romantic avant garde and the rumblings of modernism.
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