Catholics, cinema and power: an introduction -- Policies. Resisting the lure of the modern: Catholics, international politics, and the establishment of the International Catholic Office for Cinema (1918-1928) / Guido Convents -- The Roman Catholic Church, cinema and the "culture of dialogue": Italian Catholics and the movies after the Second World War / Dario Edoardo Vigan -- The rise and fall of Catholic Hollywood, or from the production code to the Da Vinci code / Thomas Doherty -- Catholicism and Mexican cinema: a secular state, a deeply conservative society and a powerful Catholic hierarchy / Francisco Peredo Castro -- Leaders. Jean Bernard's fight for 'good' cinema in Luxembourg / Paul Lesch -- An alternative way of moralizing cinema: Father Flipo's remedy for the Catholic Church's propaganda failure in France (1945-1962) / Milisande Leventopoulos -- A triple alliance for a Catholic neorealism. Roberto Rossellini according to Felix Morlion, Giulio Andreotti and Gian Luigi Rondi / Elena Dagrada -- Technology and production. A Catholic voice in talking pictures: the international Eidophon Company (1930-1934) / Karel Dibbetts -- Pius XII as actor and subject: on the representation of the pope in cinema during the 1940s and 1950s / Federico Ruozzi -- The failed project of a Catholic neorealism: on Giulio Andreotti, Felix Morlion and Roberto Rossellini / Tomaso Subini -- Censorship and control. Protectionism and Catholic film policy in twentieth-century Ireland / Kevin Rockett -- A case of entente cordiale between state and church: Catholics and film control in Argentina (1954-1984) / Maria Elena de las Carrera -- The "ideal film". on the transformation of the Italian Catholic film and media policy in the 1950s and the 1960s / Mariagrazia Fanchi -- Exhibition and cinema-going experiences. Separating the sheep from the goats: gendering space in the cinema auditorium in Rucphen (1929) / Thunnis Van Oort -- "I think Catholics didn't go to the cinema": Catholic film exhibition strategies and cinema-going experiences in Belgium, 1930s-1960s / Daniel Biltereyst -- Moralizing cinema while attracting audiences: Catholic film exhibition in post-war Rome / Daniela Treveri Gennari.
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