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04169aam a2200517 i 4500 001 97C9021E580511E8A8F83C5097128E48 003 SILO 005 20180515010114 008 170601s2018 cauaco g bc s001 0deng c 010 $a 2017026659 020 $a 0520294467 020 $a 9780520294462 035 $a (OCoLC)981118117 040 $a CU-S/DLC $b eng $e rda $c CUS $d DLC $d BTCTA $d YDX $d BDX $d OCLCF $d ERASA $d OCLCQ $d BRL $d ZCU $d SILO 041 0 $a eng 042 $a pcc 050 00 $a ND237.T5515 $b A4 2018 082 00 $a 759.13 $2 23 245 00 $a Wayne Thiebaud : $b 1958-1968 / $c edited by Rachel Teagle. 263 $a 1801 264 1 $a Davis, California : $b Jan Shrem and Maria Manetti Shrem Museum of Art, University of California, Davis ; $c [2018] 300 $a 175 pages : $b illustrations (chiefly color), portraits, photographs ; $c 28 cm 500 $a "Published on the occasion of the exhibition Wayne Thiebaud: 1958/1968, organized and presented by the Jan Shrem and Maria Manetti Shrem Museum of Art, January 16/May 14, 2018"--Copyright page. 504 $a Includes bibliographical references and index. 505 0 $a Holding opposites in tension : the genius of Wayne Thiebaud / Rachel Teagle -- Wayne Thiebaud's early landscapes : picturing / Gravity Margaretta Lovell -- Exaggerations of the real : Wayne Thiebaud and Joseph Heller / Alexander Nemerov -- Plates with entries / by Francesca Wilmott -- Chronology / Arielle Hardy -- Is a Lollipop tree worth painting? / Wayne Thiebaud. 518 $o "Wayne Thiebaud: 1958/1968" : $d January 16-May 13, 2018, $p the Jan Shrem and Maria Manetti Shrem Museum of Art, University of California, Davis, California, United States. 520 8 $a Wayne Thiebaud: 1958-1968 examines Thiebaud's ongoing impact on contemporary art through in-depth analysis of the paintings and drawings made at the launch of his career, at a seminal moment when the art world was moving beyond Abstract Expressionism and redefining itself. By questioning Thiebaud's relationship to Pop art, his self-imposed distance from the movement, and the popular urge to affiliate him with it, Teagle explores the role of his painting in the traffic of images at the end of the twentieth century. Organized in close cooperation with the artist, this is the first study of the emergence of Thiebaud's mature style and the only museum exhibition to date to delve into a specific period of his production, a time that coincides with the start of his teaching career at University of California at Davis. Thiebaud's art, like that of the celebrated Pop artists with whom he shared early exhibitions, is ripe for critical reappraisal. The "soft" nature of Thiebaud's famous subjects, his creamy pies and dripping ice creams, positioned his art as fodder for social-political review on occasion, but rarely for serious historical analysis. Since the beginning of his career Thiebaud reminded critics of his formal interests and his deep affiliation with the history of painting. This exhibition takes as its starting point an understanding of Thiebaud's painterly language-its historical sources and contemporary affiliations. 546 $a Text in English. 600 10 $a Thiebaud, Wayne $v Exhibitions. 600 17 $a Thiebaud, Wayne. $2 fast $0 (OCoLC)fst00002970 650 0 $a Still-life painting, American $z United States $y 20th century $v Exhibitions. 650 0 $a Figurative painting, American $z United States $y 20th century $v Exhibitions. 650 0 $a Pop art $z United States $x History $y 20th century. 655 7 $a Exhibition catalogs. $2 lcgft 655 7 $a Illustrated works. $2 lcgft 655 7 $a Exhibition catalogs. $2 fast $0 (OCoLC)fst01424028 700 1 $a Teagle, Rachel, $e editor. 700 1 $a Thiebaud, Wayne, $e artist. 710 2 $a Manetti Shrem Museum, $e issuing body. $e publisher, $e issuing body. 710 2 $a University of California Press, $e publisher. 752 $a United States $b California $d Davis. 752 $a United States $b California $d Berkeley. 941 $a 2 952 $l OVUX522 $d 20191217025002.0 952 $l UNUX074 $d 20191126031552.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=97C9021E580511E8A8F83C5097128E48Initiate Another SILO Locator Search