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03430aam a2200421 i 4500 001 C2B22552065511E8AD8CF06897128E48 003 SILO 005 20180131010242 008 160129s2016 mnua b s001 0 eng 010 $a 2016003060 020 $a 1517900069 020 $a 9781517900069 020 $a 1517900050 020 $a 9781517900052 035 $a (OCoLC)936687416 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCQ $d OCLCF $d BDX $d YDXCP $d BTCTA $d ERASA $d YDX $d UtOrBLW $d SILO 042 $a pcc 050 00 $a N7430.5 $b .A33 2016 $0 http://id.loc.gov/authorities/classification/N 082 00 $a 701/.18 $2 23 100 1 $a Albu, Cristina, $e author. $0 http://id.loc.gov/authorities/names/n2016004801 245 10 $a Mirror affect : $b seeing self, observing others in contemporary art / $c Cristina Albu. 264 1 $a Minneapolis : $b University of Minnesota Press, $c [2016] 300 $a 303 pages ; $c 20 cm 504 $a Includes bibliographical references and index. 505 0 $a Introduction: seeing ourselves seeing -- Mirror frames: spectators in the spotlight -- Mirror screens: wary observers under the radar -- Mirror intervals: prolonged encounters with others -- Mirror portals: unpredictable connectivity in responsive environments -- Conclusion: networked spectatorship. 520 8 $a For decades, contemporary artworks with reflective properties have stimulated public forms of spectatorship. According to Cristina Albu, these artworks, which can include elements such as mirrors, live video feedback, or sensors, draw attention to affective interdependence and mechanisms of social control. In "Mirror Affect", Albu provides a historical account of mirroring processes in contemporary art and offers insight into the phenomenological and sociopolitical concerns that have inspired artists to stage processes of affective, perceptual, and behavioral mirroring between art viewers. Beginning with the 1960s, Albu charts the rise of interpersonal modes of art spectatorship. She reveals contemporary artists? strategic use of reflective and responsive interfaces to instill doubt in visual representation and appeal to active scrutiny of the changing social dynamics. She suggests that the mirroring processes envisioned by contemporary artists such as Joan Jonas, Dan Graham, Lynn Hershman Leeson, Olafur Eliasson, and Rafael Lozano-Hemmer trigger visual disjunctions to upset narcissistic inclinations. They invite viewers to see themselves in relation to others and to ponder their role within complex social systems. 650 0 $a Visual perception in art. $0 http://id.loc.gov/authorities/subjects/sh2010014199 650 0 $a Reflection (Optics) in art. $0 http://id.loc.gov/authorities/subjects/sh97000725 650 0 $a Art, Modern $y 20th century $x Themes, motives. $0 http://id.loc.gov/authorities/subjects/sh85007809 650 0 $a Art, Modern $y 21st century $x Themes, motives. 650 7 $a Art, Modern $x Themes, motives. $2 fast $0 (OCoLC)fst00816663 650 7 $a Reflection (Optics) in art. $2 fast $0 (OCoLC)fst01092490 650 7 $a Visual perception in art. $2 fast $0 (OCoLC)fst01905084 648 7 $a 1900-2099 $2 fast 776 08 $i Online version: $a Albu, Cristina, author. $t Mirror affect. $d Minneapolis : University of Minnesota Press, 2016 $z 9781452952581 $w (DLC) 2016005798 941 $a 1 952 $l OVUX522 $d 20191211033014.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=C2B22552065511E8AD8CF06897128E48Initiate Another SILO Locator Search