The Locator -- [(subject = "Music - General")]

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02921aam a2200409 i 4500
001 0EBB4BCE81F911E58D57CB8FDAD10320
003 SILO
005 20151103010200
008 141104s2015    enk      b    001 0 eng  
010    $a 2014043403
020    $a 0521844487 (hardback)
020    $a 9780521844482 (hardback)
035    $a (OCoLC)897946248
040    $a DLC $e rda $b eng $c DLC $d YDX $d YDXCP $d CDX $d OCLCO $d Y9H $d SILO
042    $a pcc
043    $a e-uk--- $a e-uk---
050 00 $a ML286.8.M27 $b R86 2015
082 00 $a 780.9427/3309045 $2 23
084    $a MUS000000 $2 bisacsh
100 1  $a Rupprecht, Philip Ernst, $e author.
245 10 $a British musical modernism : $b the Manchester Group and their contemporaries / $c Philip Rupprecht.
264  1 $a Cambridge : $b Cambridge University Press, $c 2015.
300    $a xiv, 492 pages ; $c 26 cm.
490 1  $a Music since 1900
504    $a Includes bibliographical references and index.
505 0  $a Between nationalism and the avant-garde: defining British modernism -- Post-war motifs -- Manchester avant-garde: Goehr, Davies, and Birtwistle to 1960 -- A Manchester generation in Paris, London, and Rome: Musgrave, Maw, Crosse, and Bennett -- Group portrait in the Sixties: Davies, Birtwistle, and Goehr to 1967 -- Instrumental drama: Musgrave and Birtwistle in the late Sixties -- Vernaculars: Bedford and Souster as pop musicians.
520 8  $a This book explores the works of eleven key composers to reveal the rapid shifts of expression and technique that transformed British art music in the post-war period. Responding to radical avant-garde developments in post-war Europe, the Manchester Group composers - Alexander Goehr, Peter Maxwell Davies, and Harrison Birtwistle - and their contemporaries assimilated the serial-structuralist preoccupations of mid-century internationalism to an art grounded in resurgent local traditions. In close readings of some thirty-five scores, Philip Rupprecht traces a modernism suffused with the formal elegance of the 1950s, the exuberant theatricality of the 1960s, and - in the works of David Bedford and Tim Souster - the pop, minimalist, and live-electronic directions of the early 1970s. Setting music-analytic insights against a broader social-historical backdrop, Rupprecht traces a British musical modernism that was at once a collective artistic endeavor, and a sounding myth of national identity.
610 20 $a New Music Manchester.
650  0 $a Music $z Manchester $z Manchester $y 20th century $x History and criticism.
650  0 $a Composers $z Manchester $z Manchester $y 20th century.
650  0 $a Music $z Great Britain $y 20th century $x History and criticism.
650  7 $a MUSIC / General. $2 bisacsh
830  0 $a Music since 1900.
941    $a 2
952    $l OVUX522 $d 20191217024929.0
952    $l USUX851 $d 20160826035403.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=0EBB4BCE81F911E58D57CB8FDAD10320

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