The Locator -- [(subject = "Indians of North America--History--History--20th century")]

18 records matched your query       


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03237aam a2200457 i 4500
001 764A0C684DE711E4A85DE8D9DAD10320
003 SILO
005 20141007010118
008 140415s2014    ncuaf    b    001 0 eng  
010    $a 2014002679
020    $a 1469611759 (hardback)
020    $a 9781469611754 (hardback)
035    $a (OCoLC)860943925
040    $a DLC $e rda $b eng $c DLC $d YDX $d YDXCP $d BTCTA $d BDX $d A4A $d OCLCF $d SILO
042    $a pcc
043    $a n------
050 00 $a E77.5 $b .Z36 2014
082 00 $a 970.004/9700222 $2 23
084    $a HIS036060 $a HIS036060 $2 bisacsh
100 1  $a Zamir, Shamoon, $e author.
245 14 $a The gift of the face : $b portraiture and time in Edward S. Curtis's The North American Indian / $c Shamoon Zamir.
264  1 $a Chapel Hill [North Carolina] : $b The University of North Carolina Press, $c [2014]
300    $a 334 pages ; $c 25 cm
504    $a Includes bibliographical references and index.
520    $a "Edward S. Curtis's The North American Indian is the most ambitious photographic and ethnographic record of Native American cultures ever produced. Published between 1907 and 1930 as a series of twenty volumes and portfolios, the work contains more than two thousand photographs intended to document the traditional culture of every Native American tribe west of the Mississippi. Many critics have claimed that Curtis's images present Native peoples as a "vanishing race," hiding both their engagement with modernity and the history of colonial violence. But in this major reappraisal of Curtis's work, Shamoon Zamir argues instead that Curtis's photography engages meaningfully with the crisis of culture and selfhood brought on by the dramatic transformations of Native societies. This crisis is captured profoundly, and with remarkable empathy, in Curtis's images of the human face. Zamir also contends that we can fully understand this achievement only if we think of Curtis's Native subjects as coauthors of his project. This radical reassessment is presented as a series of close readings that explore the relationship of aesthetics and ethics in photography. Zamir's richly illustrated study resituates Curtis's work in Native American studies and in the histories of photography and visual anthropology. "-- $c Provided by publisher.
600 10 $a Curtis, Edward S., $d 1868-1952. $t North American Indian.
650  0 $a Indians of North America $x History $x History $y 20th century.
650  0 $a Photography in ethnology $z North America.
650  7 $a SOCIAL SCIENCE / Ethnic Studies / Native American Studies. $2 bisacsh
650  7 $a HISTORY / United States / 20th Century. $2 bisacsh
655  7 $a History. $2 fast $0 (OCoLC)fst01411628
630 07 $a North American Indian (Curtis, Edward S.) $2 fast $0 (OCoLC)fst01364011
648  7 $a 1900 - 1999 $2 fast
650  7 $a Indians of North America $x Portraits. $2 fast $0 (OCoLC)fst00969881
650  7 $a Photography in ethnology. $2 fast $0 (OCoLC)fst01061856
651  7 $a North America. $2 fast $0 (OCoLC)fst01242475
941    $a 3
952    $l OVUX522 $d 20191211015503.0
952    $l USUX851 $d 20161006024107.0
952    $l OIAX792 $d 20160331011251.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=764A0C684DE711E4A85DE8D9DAD10320

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