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03854aam a2200409 a 4500 001 C4D344E4E1E711E1B953AEC46AFF544E 003 SILO 005 20120809010152 008 060914s2006 hiuaf b s001 0 eng c 010 $a 2006000833 020 $a 9780824830113 (hardcover : alk. paper) 020 $a 0824830113 (hardcover : alk. paper) 035 $a (OCoLC)63108339 040 $a PUL $b eng $c PUL $d SILO $d BAKER $d C#P $d IXA $d YDXCP $d IG# $d BTCTA $d MUQ $d OKU $d HEBIS $d CDX $d OCLCQ $d YUS $d ILU $d BDX $d SILO 042 $a pcc 043 $a a-ja--- 050 00 $a NX584.A1 $b H38 2006 082 00 $a 700.952/09045 $2 22 100 1 $a Havens, Thomas R. H. 245 1 $a Radicals and realists in the Japanese nonverbal arts : $b the avant-garde rejection of modernism / $c Thomas R.H. Havens. 260 $a Honolulu : $b University of Hawaii Press, $c c2006. 300 $a x, 296 p., [8] p. of plates : $b ill. (some col.) ; $c 25 cm. 505 0 $a Postwar vectors in the Japanese nonverbal arts -- The occupation and modernity -- Experimental voyages : the 1950s -- The experimental workshop -- Avant-garde visual culture : local and historical -- Concrete abstractions, abstract expressions -- The SoÌgetsu Art Center : avant-garde refinement -- Alternative modernities in the 1960s : locating the everyday -- Beyond form and formality -- Events, objects, and concepts -- Contemporary art music and dance in the 1960s : transcultural idioms -- The Monoha moment -- Art, money, and politics -- Radicals and realists. 541 $a UNI: Donated by Jeffery Byrd, UNI Art Department. 504 $a Includes bibliographical references (p. [267]-289) and index. 520 1 $a "Radicals and Realists in the Japanese Nonverbal Arts is the first book in any language to discuss Japan's avant-garde artists, their work, and the historical environment in which they produced it during the two most creative decades of the twentieth century, the 1950s and 1960s. Many of the artists were radicals, rebelling against existing canons and established authority. Yet at the same time they were realists in choosing concrete materials, sounds, and themes from everyday life for their art and in gradually adopting tactics of protest or resistance through accommodation rather than confrontation. Whatever the means of expression, the production of art was never devoid of historical context or political implication. 520 8 $a Focusing on the nonverbal genres of painting, sculpture, dance, choreography, and music composition, this work shows that generational and political differences, not artistic doctrines, largely account for the divergent stances artists took vis-a-vis modernism, the international arts community, Japan's ties to the United States, and the alliance of corporate and bureaucratic interests that solidified in Japan during the 1960s." 520 8 $a "Radicals and Realists is based on extensive archival research; numerous concerts, performances, and exhibits, and exclusive interviews with more than fifty leading choreographers, composers, painters, sculptors, and critics active in Japan's avant-garde community during those two innovative decades. Its accessible prose and lucid analysis recommend it to a wide readership, including those interested in modern Japanese art and culture as well as the history of the postwar years."--BOOK JACKET. 650 0 $a Arts, Japanese $y 20th century. 650 0 $a Arts and society $z Japan $x History $y 20th century. 650 0 $a Avant-garde (Aesthetics) $z Japan $x History $y 20th century. 856 41 $z Connect to Table of contents $u http://catdir.loc.gov/catdir/toc/ecip066/2006000833.html 941 $a 3 952 $l OVUX522 $d 20180103034314.0 952 $l USUX851 $d 20160823071540.0 952 $l UNUX074 $d 20120809011046.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=C4D344E4E1E711E1B953AEC46AFF544EInitiate Another SILO Locator Search