The Locator -- [(subject = "Visual perception in art")]

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03078aam a2200469Ii 4500
001 85E09236462211E9A3F20F6897128E48
003 SILO
005 20190314012734
008 180402s2018    ctua     b    001 0 eng d
020    $a 9780300232141
020    $a 0300232144
035    $a (OCoLC)1029887270
040    $a YDX $b eng $e rda $c YDX $d ERASA $d TOH $d FNE $d YDXIT $d OCLCF $d SILO
043    $a e-it---
050  4 $a NB1280 $b .L35 2018
082 04 $a 731.54094509 $2 23
082 04 $a 730
100 1  $a Lakey, Christopher R., $e author.
245 10 $a Sculptural seeing : $b relief, optics, and the rise of perspective in medieval Italy / $c Christopher R. Lackey.
264  1 $a New Haven ; $b Yale University Press, $c [2018]
300    $a xi, 226 pages : $b illustrations (some color) ; $c 27 cm
504    $a Includes bibliographical references (pages 199-219).
505 0  $a Embodied seeing -- The iconology of sight -- The geometry of vision -- Optical aesthetics and the problem of looking right -- Words for relief (rilievo).
520 8  $a Although perspective has long been considered one of the essential developments of Renaissance painting, this provocative new book shifts the usual narrative back centuries, showing that medieval sculptors were already employing knowledge of optical science, geometry, and theories of vision in shaping the beholder's experience of their work. Meticulous visual analysis is paired with close readings of medieval texts in examining a series of important relief sculptures from northern and central Italy dating from the twelfth through the fourteenth centuries, including the impressive sculptural programs at the cathedrals of Modena and Ferrara, and the pulpits by Giovanni and Nicola Pisano at Pisa and Pistoia. Demonstrating that medieval sculptors orchestrated the reception of their intended religious and political messages through the careful manipulation of points of view and architectural space, Christopher R. Lakey argues that medieval practice was well informed by visual theory and that the concepts that led to the codification of linear perspective by Renaissance painters had in fact been in use by sculptors for hundreds of years.
650  0 $a Relief (Sculpture), Italian $z Italy $y To 1500.
650  0 $a Relief (Sculpture), Medieval $z Italy.
650  0 $a Optics and art $z Italy.
650  0 $a Visual perception in art.
650  0 $a Perspective.
650  0 $a Geometry in art.
650  7 $a Geometry in art. $2 fast $0 (OCoLC)fst00940896
650  7 $a Optics and art. $2 fast $0 (OCoLC)fst01046868
650  7 $a Perspective. $2 fast $0 (OCoLC)fst01058877
650  7 $a Relief (Sculpture), Italian. $2 fast $0 (OCoLC)fst01093718
650  7 $a Relief (Sculpture), Medieval. $2 fast $0 (OCoLC)fst01093724
650  7 $a Visual perception in art. $2 fast $0 (OCoLC)fst01905084
651  7 $a Italy. $2 fast $0 (OCoLC)fst01204565
648  7 $a To 1500 $2 fast
941    $a 2
952    $l OVUX522 $d 20191213012735.0
952    $l USUX851 $d 20190806075317.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=85E09236462211E9A3F20F6897128E48

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