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02004cam a2200409 a 4500 001 7A52491A6BF711DEA13FF332A8D7520A 003 SILO 005 20100405092921 008 071207s2008 enka bq 001 0 eng 020 $a 1905674600 (pbk.) 020 $a 9781905674602 (pbk.) 035 $a (OCoLC)154711394 040 $a UKM $c UKM $d SILO $d YDXCP $d BAKER $d OCLCG $d C#P $d BWX $d BWK $d CDX $d UPP $d IQU $d IAY $d JYJ $d OBE $d OCLCQ $d IOL $d SILO 042 $a pcc 043 $a e-gx--- 050 4 $a PN1993.5.G3 $b R56 2008 082 04 $a 791.430943 $2 22 100 1 $a Roberts, Ian, $d 1967- 245 1 $a German expressionist cinema : $b the world of light and shadow / $c Ian Roberts. 260 $a New York : $b Wallflower Press, $c 2008. 300 $a 132 p. : $b ill. ; $c 20 cm. 490 1 $a Short cuts series ; $v 40 505 0 $a Introduction : immanence, imagination and immortality -- Origins : expressionism and Weimar film -- Authority overthrown, or, lunatics in the asylum : Robert Wiene's Das Cabinet des Dr. Caligari -- Demons without and within : F.W. Murnau's Nosferatu -- Images of the past, visions of the future : Fritz Lang's Die Nibelungen and Metropolis -- Virgins and vamps : G.W. Pabst's Die BuÌchse der Pandora -- Street life and the end of expressionism : Joe May's Asphalt -- Conclusion : Weimar cinema's flights of fantasy. 504 $a Includes bibliographical references (p. 125-129), filmography (p. 121-124) and index. 504 $a Includes filmography: p. 121-124. 650 0 $a Motion pictures $z Germany $x History. 650 0 $a Expressionism in motion pictures. 830 0 $a Short cuts (London, England) ; $v 40. 941 $a 6 952 $l OZAX845 $d 20240525035918.0 952 $l ULAX314 $d 20190926091341.0 952 $l OVUX522 $d 20180104035721.0 952 $l USUX851 $d 20160824064418.0 952 $l OIAX792 $d 20100120073657.0 952 $l PTAX572 $d 20090708133753.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=7A52491A6BF711DEA13FF332A8D7520A 994 $a 02 $b IOLInitiate Another SILO Locator Search