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03541aam a2200409 i 4500 001 A21CD99A323411EC8B1165C359ECA4DB 003 SILO 005 20211021010114 008 200117t20192019it b 000 0 eng d 020 $a 882290415X 020 $a 9788822904157 035 $a (OCoLC)1137193982 040 $a ERASA $b eng $c ERASA $d C3L $d ZCU $d OCLCO $d YDX $d OCLCF $d OCLCQ $d ORC $d UtOrBLW $d SILO 050 4 $a N72.G55 $b U867 2019 $0 http://id.loc.gov/authorities/classification/N 082 04 $a 069 245 00 $a Utopian display : $b geopolitical curating / $c edited by Marco Scotini. 250 $a First edition. 264 1 $a Macerata : $b Quodlibet, $c 2019. 300 $a 221 pages ; $c 22 cm. 490 1 $a NABA Insights 504 $a Includes bibliographical references. 520 8 $a That contemporary art, by means of biennials, neo-museum institutions and financial markets, has currently become a global phenomenon is a given. Much less of a given is that the paradigm?Art,? as it has become established through its modernist legacy, is affiliated with a multiplication of visions, with a latitude of different and interlocking histories and with transversal and diverse contexts. Within the contemporary artistic scene, one has the impression that?being equal? means nothing more than adhering to the same Art institution. To emancipate oneself thus means belonging to Art as to a same world, sharing an already established world that, as such, can only infinitely reproduce that which is already implicit within it. Despite everything, our model of art continues to be very similar to that of an institution capable of determining the integration of minorities as a majoritarian measure (in their identity, their unity) or their exclusion.0With a degree of skepticism towards both globalization effects and the latest premises of the so-called de-globalization, the anthology Utopian Display attempts to bring together curatorial experiences that have matured over the past thirty years in various geopolitical contexts? from Africa to China, from India to Latin America, from the Middle East through to the post-Soviet areas. The authors, all from different generations, are amongst the most important and experimental voices of contemporary, curatorial research. 650 0 $a Art and globalization. $0 http://id.loc.gov/authorities/subjects/sh2002004465 650 0 $a Art museums $x Curatorship. $0 http://id.loc.gov/authorities/subjects/sh2016001934 650 0 $a Art museums $x History $y 21st century. 650 0 $a Art, Modern $y 21st century. $0 http://id.loc.gov/authorities/subjects/sh2002000548 650 7 $a Art and globalization. $2 fast $0 http://id.worldcat.org/fast/815395 $0 http://id.worldcat.org/fast/815395 650 7 $a Art, Modern. $2 fast $0 http://id.worldcat.org/fast/816615 $0 http://id.worldcat.org/fast/816615 650 7 $a Art museums. $2 fast $0 http://id.worldcat.org/fast/815631 $0 http://id.worldcat.org/fast/815631 650 7 $a Art museums $x Curatorship. $2 fast $0 http://id.worldcat.org/fast/1940967 $0 http://id.worldcat.org/fast/1940967 648 7 $a 2000-2099 $2 fast 655 7 $a History. $2 fast $0 http://id.worldcat.org/fast/1411628 $0 http://id.worldcat.org/fast/1411628 700 1 $a Scotini, Marco, $e editor. $4 http://id.loc.gov/vocabulary/relators/edt $0 http://id.loc.gov/authorities/names/nr98026010 830 0 $a NABA insights. $0 http://id.loc.gov/authorities/names/no2021051702 941 $a 1 952 $l OVUX522 $d 20220317020823.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=A21CD99A323411EC8B1165C359ECA4DBInitiate Another SILO Locator Search