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02166aam a22004698i 4500 001 D6C8570C776911E3809E827FDAD10320 003 SILO 005 20140107010125 008 120917t20132013ilua b 001 0 eng c 010 $a 2012037863 020 $a 0226115704 (cloth : alkaline paper) 020 $a 9780226115702 (cloth : alkaline paper) 035 $a (OCoLC)809911093 040 $a ICU/DLC $b eng $e rda $c CGU $d DLC $d YDXCP $d BTCTA $d UKMGB $d ERASA $d BDX $d OCLCQ $d NGU $d KSU $d CGU $d CDX $d SILO 042 $a pcc 043 $a n-us--- 050 00 $a N6512.5.I56 $b C66 2013 082 00 $a 704.03/96073 $2 23 100 1 $a Copeland, Huey. 245 10 $a Bound to appear : $b art, slavery, and the site of blackness in multicultural America / $c Huey Copeland. 264 1 $a Chicago ; $b London : $c [2013] 300 $a xvi, 256 pages : $b illustrations ; $c 29 cm 500 $a A project of the Creative Capital/Andy Warhol Foundation Arts Writers Grant Program and Northwestern University. 504 $a Includes bibliographical references (pages 229-248) and index. 505 0 $a Introduction. The blackness of things -- Fred Wilson and the rhetoric of redress -- Lorna Simpson's figurative transitions -- Glenn Ligon and the matter of fugitivity -- ReneÌe Green's diasporic imagination -- Epilogue. Alternate routes. 650 0 $a Slavery in art. 650 0 $a Installations (Art) $z United States. 650 0 $a African American artists. 600 10 $a Wilson, Fred, $d 1954- $x Criticism and interpretation. 600 10 $a Simpson, Lorna, $d 1960- $x Criticism and interpretation. 600 10 $a Ligon, Glenn, $d 1960- $x Criticism and interpretation. 600 10 $a Green, ReneÌe $x Criticism and interpretation. 710 2 $a Creative Capital Foundation. 710 2 $a Andy Warhol Foundation for the Visual Arts. 710 2 $a Northwestern University (Evanston, Ill.) 941 $a 5 952 $l CEAX572 $d 20200508020610.0 952 $l OVUX522 $d 20191211024053.0 952 $l USUX851 $d 20160826082707.0 952 $l OIAX792 $d 20150210011622.0 952 $l PRAX771 $d 20140513160336.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=D6C8570C776911E3809E827FDAD10320Initiate Another SILO Locator Search