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03380aam a2200397Ia 4500 001 F88E65626B5311E69AFE1DDBDAD10320 003 SILO 005 20160826010517 008 150306s2015 nyua bc 000 0deng d 010 $a 2015932316 020 $a 1941701086 020 $a 9781941701089 035 $a (OCoLC)904542035 040 $a ERASA $b eng $c ERASA $d BDX $d BTCTA $d YDXCP $d COO $d MZA $d OCLCO $d CAD $d CIA $d OCLCO $d OCLCF $d OCLCO $d JPG $d MOF $d IWA $d SILO 050 4 $a N6537 M379 A4 2015x 100 1 $a Marshall, Kerry James, $d 1955- 245 10 $a Kerry James Marshall : $b look see. 246 30 $a Look see 264 1 $a New York : $b David Zwirner Books, $c [2015] 300 $a 111 pages : $b illustrations (chiefly color) ; $c 31 cm. 500 $a Includes essay by Robert Storr and an interview by Angela Choon. 500 $a Catalog of an exhibition held at David Zwirner, London, October 11 - November 22, 2014. 504 $a Includes bibliographical references. 505 0 $a Chromophilia and the interaction of color / Robert Storr -- Paintings -- Works on paper -- Kerry James Marshall in conversation with Angela Choon -- Selected exhibitions, awards & collections. 520 8 $a With a career spanning almost three decades, Kerry James Marshall is well known for his complex and multilayered portrayals of youths, interiors, nudes, housing estate gardens, land- and seascapes, all of which synthesize different traditions and genres while seeking to counter stereotypical representations of black people in society. Working across various mediums, from paintings to comic-style drawings to sculptural installations, photographs, and videos, the artist conflates actual and imagined events from African-American history, integrating a range of stylistic influences to address the limited historiography of black art. Produced on the occasion of Marshall's first exhibition at David Zwirner in London and designed by JNL Design in Chicago, 'Look See' features beautiful reproductions of every painting on view in the show, all of them brand-new compositions, as well as numerous details and preparatory drawings, installation photographs, and new scholarship by Robert Storr and Hamza Walker. As suggested by the show's title, these portraits use the etymological differences between looking and seeing as their point of departure, featuring subjects whose dissociated stares seem as defiant as they are mystifying. In keeping with his signature approach, Marshall has painted his figures in strikingly opaque black pigments, both fashioning and abstracting their presences in order to assimilate the limitations and contradictions of style, subject, and chronology inherent in art-historical narratives written from a white, Western perspective. Taken all together, the range of materials included in 'Look See' constitutes a vibrant and comprehensive portrait of Marshall's original and ever-evolving practice. 600 10 $a Marshall, Kerry James, $d 1955- $v Exhibitions. 650 0 $a African Americans in art $v Exhibitions. 650 0 $a Painting, American $v Exhibitions. 700 1 $a Storr, Robert. 700 1 $a Choon, Angela. 710 2 $a David Zwirner LTD. 941 $a 2 952 $l USUX851 $d 20230503012432.0 952 $l OVUX522 $d 20191211032447.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=F88E65626B5311E69AFE1DDBDAD10320 994 $a C0 $b IWAInitiate Another SILO Locator Search