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03911aam a2200385 i 4500 001 DB7A00B6101A11EA8DA14E4D97128E48 003 SILO 005 20191126010151 008 180719t20192019paua b s001 0 eng c 010 $a 2018031920 020 $a 0271082062 020 $a 9780271082066 035 $a (OCoLC)1048049776 040 $a PSt/DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d YDX $d BDX $d UKMGB $d UPM $d FSJ $d UtOrBLW $d SILO 042 $a pcc 043 $a n-us--- $0 http://id.loc.gov/vocabulary/geographicAreas/n-us 050 00 $a NX650.S53 $b F79 2019 $0 http://id.loc.gov/authorities/classification/N 082 00 $a 700/.4538 $2 23 100 1 $a Fryd, Vivien Green, $e author. $0 http://id.loc.gov/authorities/names/n87102918 245 10 $a Against our will : $b sexual trauma in American art since 1970 / $c Vivien Green Fryd. 264 1 $a University Park, Pennsylvania : $b The Pennsylvania State University Press, $c [2019] 300 $a xv, 349 pages : $b illustrations (some color) ; $c 27 cm 504 $a Includes bibliographical references (pages 324-340) and index. 505 0 $a Suzanne Lacy and Leslie Labowitz : performing the anti-rape cycle in the 1970s -- Performing the anti-incest cycle in the Los Angeles Woman's Building, 1977-1985 -- Faith Ringgold : quilting the anti-rape and anti-incest cycle, 1972-1986 -- Recirculating the anti-rape and anti-incest cycle in exhibitions, 1980-1993 -- Judy Chicago and Donald Woodman : the anti-rape and anti-incest cycle, 2001-2006 -- Kara Walker : creating a third-wave anti-rape and anti-incest cycle in silhouettes, videos, and sculpture since 1994 -- Mapping and chronicling the anti-rape and anti-incest cycle into the twenty-first century. 520 $a "As part of the feminist movement of the 1970s, female artists began consciously using their works to challenge social conceptions and the legal definitions of rape and incest and to shift the dominant narrative of violence against women. In this dynamic book, Vivien Green Fryd charts this decades-long radical intervention through an art-historical lens. Focusing on efforts by American artists such as Suzanne Lacy, Leslie Labowitz, Faith Ringgold, Judy Chicago, and Kara Walker, Fryd showed how this group insisted on ending the silence surrounding sexual violence and helped construct an anti-rape, anti-incest counternarrative that remains vibrant today. She looks at how second-wave feminist artists established and reiterated the importance of addressing sexual violence against women and how their successors in the third wave then framed their works within that visual and rhetorical tradition. Throughout, Fryd highlights specific themes--rape and incest against white and black female bodies, rape against white and black male bodies, rape and pornography--that intersect with other challenges to and critiques of the sociocultural and political patriarchy from the 1970s through the present day. Featuring dozens of illustrative works and written by an art historian who is a scholar of PTSD and herself a survivor, this groundbreaking and timely project explores sexual violence as a discrete subject of American art with open eyes and unflinching analysis. Against Our Will challenges the reader to serve as witness to the trauma in much the same way as the works Fryd studies."--from jacket 650 0 $a Sex crimes in art. $0 http://id.loc.gov/authorities/subjects/sh97001439 650 0 $a Violence in art. $0 http://id.loc.gov/authorities/subjects/sh85143520 650 0 $a Art, American $y 20th century. $0 http://id.loc.gov/authorities/subjects/sh85007815 650 0 $a Art, American $y 21st century. 650 7 $a Art, American. $2 fast $0 (OCoLC)fst00815895 650 7 $a Sex crimes in art. $2 fast $0 (OCoLC)fst01114304 648 7 $a 1900-2099 $2 fast 941 $a 1 952 $l OVUX522 $d 20191210020539.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=DB7A00B6101A11EA8DA14E4D97128E48Initiate Another SILO Locator Search