11 records matched your query       

03160aam a22004214i 4500
001 C2F019A0EA0A11E7B6F5700597128E48
003 SILO
005 20171226010227
008 160303s2016    enka     b    001 0 eng  
010    $a 2016003924
020    $a 1474246931
020    $a 9781474246934
035    $a (OCoLC)932262562
040    $a DLC $b eng $e rda $c DLC $d YDXCP $d BDX $d BTCTA $d OCLCF $d OCLCO $d NDD $d OCLCO $d CHVBK $d OCLCO $d UBY $d CAAGO $d QGK $d YUS $d OCLCQ $d SILO
042    $a pcc
043    $a e-it---
050 00 $a TR79 $b .C375 2016
082 00 $a 770/.945 $2 23
100 1  $a Caruso, Martina, $e author.
245 10 $a Italian humanist photography from fascism to the Cold War / $c Martina Caruso.
264  1 $a London ; $b Bloomsbury Academic, an imprint of Bloomsbury Publishing, Plc, $c [2016]
300    $a xv, 213 pages : $b illustrations ; $c 25 cm
504    $a Includes bibliographical references (pages 188-198) and index.
505 0  $a Antifascist Photography under Fascism -- Forging a "New" Peasant at the Istituto LUCE and Other Fascist organizations -- Rural kitsch, fashion, and the Nazi-Fascist alliance -- The Fascist avant-garde and the international photographic context -- Critical Fascists and the concept of the "Primitive" -- Leo Longanesi, D'Annunziano -- Non-Fascist cultures and "Primitive" rituals -- Conclusion -- Photography, Power, and Humiliation in the Second World War -- The erotics of the Uomo Nuovo -- The absent war in vernacular photography -- Censorship and the Ethiopian War -- The intellectual war correspondent -- Occhio Quadrato and 'Let Us Now Praise Famous Men' -- Allies, Partisans, and cameras -- Constructing and reconstructing the Resistance -- Conclusion -- Christ Stopped at Eboli: An Anthropology of the South -- The Madonna and Roosevelt -- The Politics of Miseria and the Communist Debate -- Sex, Magic, and Anthropology -- Photographers Marginalized -- For a Mediterranean Light -- Whose South? Conclusion -- Humanist Photography and the "Catholic" 'Family of Man' -- Searching for an "Italian Photography" from 'The Family of Man' to What is Man? -- The uncertain internationalization of Italian Humanist Photography -- "A bit sweet, a bit ironic, a bit pathetic": the Italian gaze in Pannunzio's 'Il Mondo' -- Can Catholic photographers also be humanist? -- Deliver us from evil: Pathos in the work of Mario Giacomelli -- 'Gli ultimi' in the suburbs of Milan -- Conclusion -- FINE ("THE END"): La Dolce Vita and the Burst into Technicolor -- Epigraph.
650  0 $a Photography $z Italy $x History $y 20th century.
650  0 $a Photography, Artistic $x History $y 20th century.
650  0 $a Humanism in art.
650  7 $a Humanism in art. $2 fast $0 (OCoLC)fst00963527
650  7 $a Photography. $2 fast $0 (OCoLC)fst01061714
650  7 $a Photography, Artistic. $2 fast $0 (OCoLC)fst01061964
651  7 $a Italy. $2 fast $0 (OCoLC)fst01204565
650  7 $a Fotografie $2 gnd
651  7 $a Italien $2 gnd
648  7 $a 1900-1999 $2 fast
655  7 $a History. $2 fast $0 (OCoLC)fst01411628
941    $a 1
952    $l OVUX522 $d 20231020022239.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=C2F019A0EA0A11E7B6F5700597128E48