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03741aam a22005534a 4500 001 A562E582214711EEBC7340321FECA4DB 003 SILO 005 20230713010558 008 120515s2012 sz a b 001 0 eng 010 $a 2012019984 020 $a 3035104204 020 $a 9783035104202 020 $a 3034305532 020 $a 9783034305532 035 $a (OCoLC)794556236 040 $a DLC $b eng $c DLC $d YDX $d YDXCP $d OCLCO $d YNK $d IG# $d BTCTA $d OHX $d CDX $d OCLCF $d OCLCQ $d GBVCP $d S3O $d AZU $d QE2 $d OCLCO $d OCLCA $d SILO 042 $a pcc 050 00 $a ML3918.P67 $b J64 2012 055 3 $a ML3918.P67 $b T39 2012 072 7 $a ML $2 lcco 072 7 $a HQ $2 lcco 082 00 $a 781.64086/64 $2 23 100 1 $a Taylor, Jodie, $d 1980- 245 10 $a Playing it queer : $b popular music, identity and queer world-making / $c Jodie Taylor. 260 $a Bern ; $b Peter Lang, $c ©2012. 300 $a xii, 254 pages : $b illustrations ; $c 23 cm 504 $a Includes bibliographical references (pages 219-242) and index. 505 00 $t Index. $t Acknowledgements -- $t Introduction -- $g Chapter 8. $t The Theoretical Landscape -- $g Chapter 1. $t Queer Identities, Theories and Politics -- $g Chapter 2. $t Music and Identity Selves, Sexualities and Scenes -- $g Part II. $t Translocal Styles, Sensibilities and Local Representations -- $g Chapter 3. $t Camp A Queer Sensibility -- $g Chapter 4. $t Doing Drag, (Un)Doing Gender Gender Subversion and Musical Performance -- $g Chapter 5. $t Queer Punk Identity Through a Distortion Pedal -- $g Chapter 6. $t Womyn, Grrrls and Sistas Queer Agendas in Feminist Music-making -- $g Chapter 7. $t Making A Scene Locality, Stylistic Distinction and Utopian Imaginations -- $g Chapter 8. $t Concluding Thoughts -- $t Bibliography -- $t Index. 520 $a Popular music has always been a dynamic mediator of gender and sexuality, and a productive site of rebellion, oddity and queerness. The transformative capacity of music-making, performance and consumption helps us to make and make sense of identity and allows us to glimpse otherworldliness, arousing the political imagination. With an activist voice that is impassioned yet adherent to scholarly rigour, Playing it Queer provides an original and compelling ethnographic account of the relationship between popular music, queer self-fashioning and [sub]cultural world-making. 520 8 $a This book begins with a comprehensive survey and critical evaluation of relevant literatures on queer identity and political debates as well as popular music, identity and [sub]cultural style. Contextualised within a detailed history of queer sensibilities and creative practices, including camp, drag, gender fuck, queercore, feminist music and club cultures, the author's rich empirical studies of local performers and translocal scenes intimately capture the meaning and value of popular musics and [sub]cultural style in everyday queer lives. 650 0 $a Popular music $x Social aspects. 650 0 $a Gender identity in music. 650 6 $a Musique populaire $x Aspect social. 650 6 $a IdentiteÌ de genre dans la musique. 650 7 $a Gender identity in music. $2 fast $0 (OCoLC)fst00939609 650 7 $a Popular music $x Social aspects. $2 fast $0 (OCoLC)fst01071460 650 7 $a Unterhaltungsmusik $2 gnd 650 7 $a Geschlechterrolle $2 gnd 650 7 $a Queer-Theorie $2 gnd 650 7 $a Musik $x identitet. $x queerteori $x identitet. $2 kao 650 7 $a Genus. $2 kao 650 7 $a Feminism. $2 kao 650 7 $a Subkulturer. $2 kao 650 7 $a PopulaÌrmusik $x sociala aspekter. $2 sao 650 7 $a KoÌnsidentitet i musiken. $2 sao 941 $a 1 952 $l PLAX964 $d 20230718091055.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=A562E582214711EEBC7340321FECA4DB 994 $a 92 $b IOHInitiate Another SILO Locator Search