The Locator -- [(subject = "Arts Japanese--20th century")]

18 records matched your query       


Record 3 | Previous Record | Long Display | Next Record
02958aam a2200409 i 4500
001 CEA00C8A586511EA978CCE3397128E48
003 SILO
005 20200226010029
008 190107t20192019caua     b   s001 0 eng c
010    $a 2018059841
020    $a 0520299825
020    $a 9780520299825
035    $a (OCoLC)1055459606
040    $a CU-S/DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d ERASA $d OCLCQ $d OCLCO $d YDX $d OSU $d IUL $d YUS $d PSC $d UKMGB $d NUI $d SILO
042    $a pcc
043    $a a-ja---
050 00 $a ND1059.K6127 $b W8 2019
082 00 $a 759.952 $2 23
100 1  $a Wu, Chinghsin, $d 1975- $e author.
245 10 $a Parallel modernism : $b Koga Harue and avant-garde art in modern Japan / $c Chinghsin Wu.
264  1 $a Oakland, California : $b University of California Press, $c [2019]
300    $a ix, 236 pages : $b illustrations (chiefly color) ; $c 27 cm
520    $a "This significant historical study recasts modern art in Japan as a "parallel modernism" that was visually similar to Euroamerican modernism, but developed according to its own internal logic. Using the art and thought of prominent Japanese modern artist Koga Harue (1895-1933) as a lens to understand this process, Chinghsin Wu explores how watercolor, cubism, expressionism, and surrealism emerged and developed in Japan in ways that paralleled similar trends in the west, but also rejected and diverged from them. In this first English-language book on Koga Harue, Wu provides close readings of virtually all of the artist's major works and provides unprecedented access to the critical writing about modernism in Japan during the 1920s and 1930s through primary source documentation, including translations of period art criticism, artist statements, letters, and journals"-- $c Provided by publisher.
504    $a Includes bibliographical references and index.
505 0  $a Introduction : parallel modernism -- Escaping academicism : watercolor, individualism, and popular art -- From form to content : cubism remixed -- Reconciling subjectivity and objectivity : expressionism, Paul Klee, and a new theory of watercolor -- Scientific surrealism : a parallel surrealism -- Collage modernity : machines, bodies, and nature in surrealist art -- Epilogue : surrealism's survival in wartime Japan.
600 10 $a Koga, Harue, $d 1895-1933 $x Criticism and interpretation.
600 17 $a Koga, Harue, $d 1895-1933. $2 fast $0 (OCoLC)fst00165442
648  7 $a 1900-1999 $2 fast
650  0 $a Arts, Japanese $y 20th century $x Criticism and interpretation.
650  0 $a Avant-garde (Aesthetics) $z Japan $y 20th century.
650  7 $a Arts, Japanese. $2 fast $0 (OCoLC)fst00818089
650  7 $a Avant-garde (Aesthetics) $2 fast $0 (OCoLC)fst00824280
651  7 $a Japan. $2 fast $0 (OCoLC)fst01204082
655  7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635
941    $a 1
952    $l OVUX522 $d 20220317031443.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=CEA00C8A586511EA978CCE3397128E48

Initiate Another SILO Locator Search

This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.