15 records matched your query
03552aam a2200469 i 4500 001 F7BC132008EC11E5A7E811F2DAD10320 003 SILO 005 20150602010155 008 140619s2014 enka b 001 0 eng 010 $a 2014019406 020 $a 1107040647 (cloth) 020 $a 9781107040649 (cloth) 035 $a (OCoLC)874733153 040 $a DLC $b eng $e rda $c DLC $d YDX $d BTCTA $d ERASA $d UKMGB $d YDXCP $d CDX $d CHVBK $d EYM $d STF $d PUL $d VGM $d YUS $d OCLCO $d ORU $d SILO 042 $a pcc 050 00 $a PR2965 $b .G35 2014 082 00 $a 822.3/3 $2 23 084 $a LIT004120 $2 bisacsh 100 1 $a Galey, Alan, $d 1975- $e author. 245 14 $a The Shakespearean archive : $b experiments in new media from the Renaissance to postmodernity / $c Alan Galey. 264 1 $a Cambridge ; $b Cambridge University Press, $c 2014. 300 $a xv, 331 pages : $b illustrations ; $c 24 cm 520 $a "Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyses how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analysing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitisation read through the afterlives of Shakespeare's texts"-- $c Provided by publisher. 504 $a Includes bibliographical references (pages 281-307) and index. 505 0 $a 1. Introduction: scenes from the prehistory of digitization -- 2. Leaves of brass: Shakespeare and the idea of the archive -- 3. The archive and the book: information architectures from folio to variorum -- 4. The counterfeit presentments of Victorian photography -- 5. Inventing Shakespeare's voice: early sound transmission and recording -- 6. Networks of deep impression: Shakespeare and the modern invention of information -- 7. Data and the ghosts of materiality -- Conclusion: sites of Shakespearean memory. 600 10 $a Shakespeare, William, $d 1564-1616 $x History. $x History. 600 10 $a Shakespeare, William, $d 1564-1616 $x Criticism, Textual. 600 10 $a Shakespeare, William, $d 1564-1616 $v Bibliography $x Bibliography. 600 10 $a Shakespeare, William, $d 1564-1616 $x Technological innovations. $x Technological innovations. 600 10 $a Shakespeare, William, $d 1564-1616 $x In mass media. 600 17 $a Shakespeare, William, $d 1564-1616 $0 (DE-588)118613723 $2 gnd 650 0 $a Archives $x Technological innovations. 650 0 $a Archival materials $x Digitization. 650 0 $a Literature and technology. 650 7 $a LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. $2 bisacsh 650 7 $a Neue Medien. $0 (DE-588)4196910-8 $2 gnd 650 7 $a Digitalisierung. $0 (DE-588)4123065-6 $2 gnd 650 7 $a Edition. $0 (DE-588)4132033-5 $2 gnd 941 $a 2 952 $l OVUX522 $d 20240217012126.0 952 $l USUX851 $d 20160826104049.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=F7BC132008EC11E5A7E811F2DAD10320Initiate Another SILO Locator Search