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02971aam a22003738i 4500 001 5F47786C2EFD11E7A97D5AD2DAD10320 003 SILO 005 20190815012642 008 160706s2016 msu b s001 0 eng 010 $a 2016020358 020 $a 1496809785 (hardback) 020 $a 9781496809780 (hardback) 040 $a DLC $b eng $e rda $c DLC $d YDXCP $d BTCTA $d BDX $d OCLCF $d SILO 042 $a pcc 043 $a n-us--- 050 10 $a PN1997.85 $b M685 2016 082 00 $a 791.43/6 $2 23 100 1 $a Morton, Drew, $d 1983- $e author. 245 10 $a Panel to the screen : $b style, American film, and comic books during the blockbuster era / $c Drew Morton. 264 1 $a Jackson : $b University Press of Mississippi, $c 2016. 300 $a 226 pages 504 $a Includes bibliographical references and index. 520 $a "Over the past forty years, American film has entered into a formal interaction with the comic book. Such comic book adaptations as Sin City, 300, and Scott Pilgrim vs. the World have adopted components of their source materials' visual style. The screen has been fractured into panels, the photographic has given way to the graphic, and the steady rhythm of cinematic time has evolved into a far more malleable element. In other words, films have begun to look like comics. Yet, this interplay also occurs in the other direction. In order to retain cultural relevancy, comic books have begun to look like films. Frank Miller's original Sin City comics are indebted to film noir while Stephen King's The Dark Tower series could be a Sergio Leone spaghetti western translated onto paper. Film and comic books continuously lean on one another to reimagine their formal attributes and stylistic possibilities. In Panel to the Screen, Drew Morton examines this dialogue in its intersecting and rapidly changing cultural, technological, and industrial contexts. Early on, many questioned the prospect of a "low" art form suited for children translating into "high" art material capable of drawing colossal box office takes. Now the naysayers are as quiet as the queued crowds at Comic-Cons are massive. Morton provides a nuanced account of this phenomenon by using formal analysis of the texts in a real-world context of studio budgets, grosses, and audience reception"-- $c Provided by publisher. 650 0 $a Film adaptations $x History and criticism. 650 0 $a Motion pictures and comic books. 650 0 $a Superhero films. 650 0 $a Comic strip characters in motion pictures. 650 0 $a Motion pictures $x Production and direction $z United States. 650 0 $a Motion picture industry $z United States. 651 7 $a United States. 776 08 $i Online version: $a Morton, Drew, 1983- author. $t Panel to the screen $d Jackson : University Press of Mississippi, 2016 $z 9781496809797 $w (DLC) 2016031386 941 $a 1 952 $l OVUX522 $d 20180103062124.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=5F47786C2EFD11E7A97D5AD2DAD10320Initiate Another SILO Locator Search