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04167aam a2200433Ii 4500 001 350B7C42E61D11E7AB1B6A7197128E48 003 SILO 005 20171221010220 008 160318t20162016ie b 001 0 eng d 020 $a 9781782051923 020 $a 1782051929 035 $a (OCoLC)945105528 040 $a YDXCP $b eng $e rda $c YDXCP $d CDX $d OCLCO $d YDX $d OCLCO $d BDX $d OCLCF $d OCLCO $d ZYU $d NUI $d UtOrBLW $d SILO 043 $a e-ie--- $0 http://id.loc.gov/vocabulary/geographicAreas/e-ie 050 4 $a PR6037.O6 $b Z68 2016 082 04 $a 823/.809 $2 23 100 1 $a Jamison, Anne, $e author. $0 http://id.loc.gov/authorities/names/no2016163177 245 10 $a E. Å. Somerville and Martin Ross : $b female authorship and literary collaboration / $c Anne Jamison. 246 34 $a E. Å. Somerville & Martin Ross : $b female authorship and literary collaboration 264 1 $a Cork, Ireland : $b Cork University Press, $c [2016] 300 $a x, 220 pages ; $c 25 cm 504 $a Includes bibliographical references (pages 172-207) and index. 505 0 $a Introduction -- 1. The legality and aesthetics of Victorian authorship -- 2. The erotics and politics of female collaboration -- 3. Women's popular literature in the commercial marketplace -- 4. Through Connemara and beyond -- 5. On opposite sides of the border -- Afterword. 520 $a This book explores the remarkable collaboration of one of the most prominent and successful female literary partnerships at work in the late nineteenth century; Irish authors, Edith Somerville (1858-1949) and Violet Martin/Martin Ross (1862-1915). Based on extensive and original archival research, it reorients traditional thinking about Somerville and Ross's partnership and rethinks the collaboration beyond a purely domestic and personal affair. The collaboration is here viewed as a significant part of the two women's lifelong but always complex feminist ethic, as well as a defiant and oft-times subversive cultural position within Irish and Victorian literary society more generally. Taking its cue from the legal aesthetics of nineteenth-century definitions of authorship and copyright, this book significantly expands the existing parameters of debate surrounding these authors and argues for their dual artistic practice to be understood as a type of authorial dissidence. Sidestepping Somerville and Ross's major texts, the book sheds new light on the two women's lesser studied--but equally important--travel writing, essays, short fiction, life writing, and extensive personal archival material, opening up new avenues of enquiry into the complexities of gender, class, and nationality in nineteenth-century Ireland. The book thus significantly interrogates the idea of collaboration both from the point of view of the authors, their publishers and readers, as well as their texts, and both deepens, as well as challenges, current literary history's broader understanding and treatment of nineteenth-century female authorship and literary production in particularly resonant ways. 600 10 $a Ross, Martin, $d 1862-1915 $x Criticism and interpretation. 600 10 $a Somerville, E. Å. $q (Edith Ånone), $d 1858-1949 $x Criticism and interpretation. 650 0 $a Authorship $x History $x History $y 19th century. $0 http://id.loc.gov/authorities/subjects/sh2009114783 650 0 $a Women and literature $z Ireland $x History $y 19th century. $0 http://id.loc.gov/authorities/subjects/sh2010118718 600 17 $a Ross, Martin, $d 1862-1915. $2 fast $0 (OCoLC)fst00019328 600 17 $a Somerville, E. Å. $q (Edith Ånone), $d 1858-1949. $2 fast $0 (OCoLC)fst00112315 650 7 $a Authorship $x Collaboration. $2 fast $0 (OCoLC)fst00822444 650 7 $a Women and literature. $2 fast $0 (OCoLC)fst01177093 651 7 $a Ireland. $2 fast $0 (OCoLC)fst01205427 648 7 $a 1800-1899 $2 fast 655 7 $a Criticism, interpretation, etc. $2 fast $0 http://id.worldcat.org/fast/1411635 $0 http://id.worldcat.org/fast/1411635 655 7 $a History. $2 fast $0 http://id.worldcat.org/fast/1411628 $0 http://id.worldcat.org/fast/1411628 941 $a 1 952 $l OVUX522 $d 20171221021837.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=350B7C42E61D11E7AB1B6A7197128E48Initiate Another SILO Locator Search