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03298aam a2200433 i 4500 001 73BECD6055EF11E58B7A61D1DAD10320 003 SILO 005 20150908010358 008 140811s2015 vtu b 000 0 eng 010 $a 2014031551 020 $a 184822169X (hardcover : alk. paper) 020 $a 9781848221697 (hardcover : alk. paper) 035 $a (OCoLC)887187662 040 $a DLC $b eng $e rda $c DLC $d YDX $d BTCTA $d OCLCF $d CDX $d YNK $d UKTTE $d YDXCP $d ZCU $d SILO 042 $a pcc 043 $a e-uk--- 050 00 $a N6797.M335 $b A35 2015 082 00 $a 709/.2 $2 23 245 00 $a Anthony McCall : $b notebooks and conversations / $c Graham Ellard and Stephen Johnstone. 264 1 $a Burlington : $b Lund Humphries, $c 2015. 300 $a 192 pages : $b illustrations (some color) ; $c 27 cm 504 $a Includes bibliographical references (page 190). 520 $a Charting the development of the studio practice of artist Anthony McCall (b. 1946), this publication features facsimile reproductions of pages from McCall's extensive archive of notebooks, which are supported by production scores and installation photographs. It was formed out of a series of discussions that took place over the last decade between McCall and the artists Graham Ellard and Stephen Johnstone. Anthony McCall is known for his 'solid-light' installations, a series that he began in 1973 with his seminal Line Describing a Cone, in which a volumetric form composed of projected light slowly evolves in three-dimensional space. Since creating this ground-breaking piece, McCall has had work exhibited at museums and galleries throughout the world including the Museum of Modern Art, New York; Tate; Whitney Museum of American Art; Serpentine Gallery; Centre Pompidou; Moderna Museet, Stockholm and Hamburger Bahnhof, Berlin. Examining McCall's work of the 1970s and the pieces developed since his return to making art in 2003, the conversations explore McCall's over-riding preoccupations as an artist whose work occupies a space between sculpture, cinema and drawing. In doing so, the book also narrates how McCall has transformed the way he understands his own practice, particularly in relation to notions of performance, the body, projected installation, durational structure and spectatorship. Emphasising both the continuities and shifts in McCall's working methods in the studio over the last forty years, Anthony McCall: Notebooks and Conversations presents unique insights into his extraordinary body of work. 600 10 $a McCall, Anthony $v Interviews. 600 10 $a McCall, Anthony $x Themes, motives. 650 0 $a Projection art $z Great Britain. 655 7 $a Interviews. $2 fast $0 (OCoLC)fst01423832 600 17 $a McCall, Anthony. $2 fast $0 (OCoLC)fst01548366 650 7 $a Projection art. $2 fast $0 (OCoLC)fst01078833 650 7 $a Themes, motives. $2 fast $0 (OCoLC)fst01355139 651 7 $a Great Britain. $2 fast $0 (OCoLC)fst01204623 600 14 $a McCall, Anthony, $d 1946- 700 1 $a Ellard, Graham, $e interviewer. 700 1 $a Johnstone, Stephen, $e interviewer. 700 1 $a McCall, Anthony, $e interviewee. 700 12 $a McCall, Anthony. $t Works. $k Selections. 941 $a 1 952 $l OVUX522 $d 20191213020210.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=73BECD6055EF11E58B7A61D1DAD10320Initiate Another SILO Locator Search