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03579aam a2200409 i 4500 001 2EE8619AE5A311E9B7B99A5997128E48 003 SILO 005 20191003010029 008 190319t20192019enk b 001 0 eng 010 $a 2019012584 020 $a 1350063630 020 $a 9781350063631 020 $a 1350063649 020 $a 9781350063648 035 $a (OCoLC)1048939070 040 $a LBSOR/DLC $b eng $e rda $c DLC $d BDX $d UKMGB $d YDX $d OCLCO $d OCLCF $d YDX $d OCLCO $d CHVBK $d OCLCO $d NUI $d OCLCA $d L2U $d SILO 042 $a pcc 050 00 $a PN1998.3 M3388 S56 2019 100 1 $a Sinnerbrink, Robert $e author. 245 10 $a Terrence Malick : $b filmmaker and philosopher / $c Robert Sinnerbrink. 264 1 $a London, UK ; $b Bloomsbury Academic, $c 2019. 300 $a xv, 250 pages ; $c 23 cm. 490 1 $a Philosophical filmmakers 504 $a Includes bibliographical references and index. 505 0 $a Introduction : Terrence Malick : a philosophical cinema? -- Approaching cinematic ethics : Badlands and Days of heaven -- Philosophy encounters film : The thin red line -- Philosophy learns from film : The new world -- Cinema as ethics : The tree of life -- Discourses on love : Malick's "Weightless" trilogy -- Conclusion : Malick's cinematic ethics (a philosophical dialogue). 520 $a "Many critics have approached Terrence Malick's work from a philosophical perspective, arguing that his films express philosophy through cinema. With their remarkable images of nature, poetic voiceovers, and meditative reflections, Malick's cinema certainly invites philosophical engagement. In Terrence Malick: Filmmaker and Philosopher, Robert Sinnerbrink takes a different approach, exploring Malick's work as a case of cinematic ethics: films that evoke varieties of ethical experience, encompassing existential, metaphysical, and religious perspectives. Malick's films are not reducible to a particular moral position or philosophical doctrine; rather, they solicit ethically significant forms of experience, encompassing anxiety and doubt, wonder and awe, to questioning and acknowledgment, through aesthetic engagement and poetic reflection. Drawing on a range of thinkers and approaches from Heidegger and Cavell, Nietzsche and Kierkegaard, to phenomenology and moral psychology Sinnerbrink explores how Malick's films respond to the problem of nihilism the loss of conviction or belief in prevailing forms of value and meaning and the possibility of ethical transformation through cinema: from self-transformation in our relations with others to cultural transformation via our attitudes towards towards nature and the world. Sinnerbrink shows how Malick's later films, from The Tree of Life to Voyage of Time, provide unique opportunities to explore cinematic ethics in relation to the crisis of belief, the phenomenology of love, and film's potential to invite moral transformation"-- $c Provided by publisher. 600 10 $a Malick, Terrence, $d 1943- $x Criticism and interpretation. 600 10 $a Malick, Terrence, $d 1943- $x Philosophy. 600 17 $a Malick, Terrence, $d 1943- $2 fast $0 (OCoLC)fst00191776 600 17 $a Malick, Terrence $d 1943- $2 gnd $0 (DE-588)128538805 776 08 $i Online version: $a Sinnerbrink, Robert, $t Terrence Malick $b 1. $d London ; New York, NY : Bloomsbury Academic, 2019. $z 9781350063624 $w (DLC) 2019981159 830 0 $a Philosophical filmmakers 941 $a 2 952 $l OVUX522 $d 20191210014534.0 952 $l USUX851 $d 20191204012702.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=2EE8619AE5A311E9B7B99A5997128E48 994 $a C0 $b IWAInitiate Another SILO Locator Search