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03893aam a2200565 i 4500 001 0563C1125F0811ECA70E6FDD2BECA4DB 003 SILO 005 20211217010126 008 201214s2021 caua b 001 0 eng 010 $a 2020056277 020 $a 160606696X 020 $a 9781606066966 035 $a (OCoLC)1228182063 040 $a JPG/DLC $b eng $e rda $c DLC $d OCLCO $d UKMGB $d OCLCF $d YDX $d ZVP $d SILO 042 $a pcc 043 $a e------ 050 00 $a ND615 $b .H435 2021 082 00 $a 759.509/034 $2 23 100 1 $a Hayes, Matthew, $d 1977- $e author. 245 14 $a The Renaissance restored : $b paintings conservation and the birth of modern art history in nineteenth-century Europe / $c Matthew Hayes. 246 30 $a Paintings conservation and the birth of modern art history in nineteenth-century Europe 264 1 $a Los Angeles : $b Getty Conservation Institute, $c [2021] 300 $a ix, 198 pages : $b illustrations (some color) ; $c 26 cm 500 $a Revision of the author's thesis (doctoral)--Institute of Fine Arts, 2017, under the title: What Burckhardt saw: restoration and the invention of the Renaissance, c.1840-1904. 504 $a Includes bibliographical references and index. 505 0 $a Shared histories -- Finding Giotto in Florence -- Titian and the weight of tradition -- Charles Eastlake as director of conservation -- Bode, Hauser, and the Renaissance museum -- Restoration and the Renaissance in the nineteenth century. 520 $a "This volume charts the intersections between art history and art conservation in the treatment of Italian Renaissance paintings in nineteenth-century Europe. Initial chapters discuss the restoration of works by Giotto and Titian, framed by the contemporary scholarship of art historians such as Jacob Burckhardt, G. B. Cavalcaselle, and Joseph Crowe; later chapters recount how paintings conservation was integrated into institutional settings at the National Gallery in London under Charles Eastlake and at the Kaiser-Friedrich-Museum in Berlin under Wilhelm Bode. Using period texts, unpublished archival materials, and historical photographs, the book proposes a new approach to conservation history, object-focused yet enriched by consideration of a wider cultural context"-- $c Back cover. 545 $a Matthew Hayes is a paintings conservator in private practice and founding director of the Pietro Edwards Society for Art Conservation in New York City. 650 0 $a Painting, Renaissance $x History $x History $y 19th century. 650 0 $a Painting, Italian $x History $x History $y 19th century. 650 0 $a Painting $x History $z Europe $x History $y 19th century. 650 0 $a Museum conservation methods $z Europe $x History $y 19th century. 650 0 $a Art $x History $x History $y 19th century. 650 0 $a Art restorers $z Europe $x History $y 19th century. 650 0 $a Art museums $z Europe $x History $y 19th century. 650 7 $a Art $x Historiography. $2 fast $0 (OCoLC)fst00815259 650 7 $a Art museums. $2 fast $0 (OCoLC)fst00815631 650 7 $a Art restorers. $2 fast $0 (OCoLC)fst00815798 650 7 $a Museum conservation methods. $2 fast $0 (OCoLC)fst01030068 650 7 $a Painting $x Conservation and restoration. $2 fast $0 (OCoLC)fst01050580 650 7 $a Painting, Italian $x Conservation and restoration. $2 fast $0 (OCoLC)fst01050913 650 7 $a Painting, Renaissance $x Conservation and restoration. $2 fast $0 (OCoLC)fst01051053 651 7 $a Europe. $2 fast $0 (OCoLC)fst01245064 648 7 $a 1800-1899 $2 fast 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 710 2 $a Getty Conservation Institute, $e issuing body. 776 08 $i Online version: $a Hayes, Matthew, 1977- $t Renaissance restored. $d Los Angeles : Getty Conservation Institute, 2021. $z 9781606067222 $w (DLC) 2020056278 941 $a 1 952 $l OVUX522 $d 20231117012240.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=0563C1125F0811ECA70E6FDD2BECA4DBInitiate Another SILO Locator Search