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03498aam a2200421Ii 4500 001 A7EBE0FA323411EC8B1165C359ECA4DB 003 SILO 005 20211021010114 008 191003s2020 enka b 001 0 eng d 020 $a 9780198831099 020 $a 0198831099 035 $a (OCoLC)1121279931 040 $a YDX $b eng $e rda $c YDX $d BDX $d ERASA $d OCLCQ $d YDXIT $d OCLCO $d OCLCF $d NUI $d UtOrBLW $d SILO 043 $a e-ur--- $0 http://id.loc.gov/vocabulary/geographicAreas/e-ur 050 4 $a PN1993.5.R9 $b T67 2020 082 04 $a 791.430947 $2 23 100 1 $a Toropova, Anna, $e author. $4 http://id.loc.gov/vocabulary/relators/aut $0 http://id.loc.gov/authorities/names/no2020117421 245 10 $a Feeling revolution : $b cinema, genre, and the politics of affect under Stalin / $c Anna Toropova. 250 $a First edition. 264 1 $a Oxford : $b Oxford University Press, $c 2020. 300 $a xiv, 243 pages : $b illustrations ; $c 24 cm. 340 $p illustration $2 rdaill $0 http://rdaregistry.info/termList/IllusContent/1014 490 1 $a Emotions in history 520 8 $a Stalin-era cinema was designed to promote emotional and affective education. The filmmakers of the period were called to help forge the emotions and affects that befitted the New Soviet Person - ranging from happiness and victorious laughter, to hatred for enemies. 'Feeling Revolution' shows how the Soviet film industry's efforts to find an emotionally resonant language that could speak to a mass audience came to centre on the development of a distinctively 'Soviet' cinema. Its case studies of specific film genres, including production films, comedies, thrillers, and melodramas, explore how the genre rules established by Western and prerevolutionary Russian cinema were reoriented to new emotional settings. 0'Sovietising' audience emotions did not prove to be an easy feat. The tensions, frustrations, and missteps of this process are outlined in?Feeling Revolution?, with reference to a wide variety of primary sources, including the artistic council discussions of the Mosfil'm and Lenfil'm studios and the Ministry of Cinematography. Bringing the limitations of the Stalinist ideological project to light, Anna Toropova reveals cinema's capacity to contest the very emotional norms that it was entrusted with crafting. 504 $a Includes bibliographical references (pages 211-231) and index. 600 10 $a Stalin, Joseph, $d 1878-1953 $x Influence. 600 10 $a Stalin, Joseph, $d 1878-1953 $x Political and social views. 600 17 $a Stalin, Joseph, $d 1878-1953. $2 fast $0 http://id.worldcat.org/fast/53304 $0 http://id.worldcat.org/fast/53304 650 0 $a Motion picture industry $z Soviet Union $x History. 650 7 $a Influence (Literary, artistic, etc.) $2 fast $0 http://id.worldcat.org/fast/972484 $0 http://id.worldcat.org/fast/972484 650 7 $a Motion picture industry. $2 fast $0 http://id.worldcat.org/fast/1027150 $0 http://id.worldcat.org/fast/1027150 650 7 $a Political and social views. $2 fast $0 http://id.worldcat.org/fast/1353986 $0 http://id.worldcat.org/fast/1353986 651 7 $a Soviet Union. $2 fast $0 http://id.worldcat.org/fast/1210281 $0 http://id.worldcat.org/fast/1210281 655 7 $a History. $2 fast $0 http://id.worldcat.org/fast/1411628 $0 http://id.worldcat.org/fast/1411628 830 0 $a Emotions in history. $0 http://id.loc.gov/authorities/names/no2014060658 941 $a 1 952 $l OVUX522 $d 20220317021224.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=A7EBE0FA323411EC8B1165C359ECA4DBInitiate Another SILO Locator Search