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03885aam a2200541 i 4500 001 203177ECBFA611ECA5AD8FDE3CECA4DB 003 SILO 005 20220419010024 008 210514s2022 nyua b 001 0 eng 010 $a 2021015966 020 $a 0231199198 020 $a 9780231199193 020 $a 023119918X 020 $a 9780231199186 035 $a (OCoLC)1247830664 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d BDX $d ERASA $d YDX $d SILO 042 $a pcc 043 $a a-cc--- $a a-cc--- 050 00 $a DK68.7.C5 $b T94 2022 082 00 $a 303.48/24705109042 $2 23 100 1 $a Tyerman, Edward, $e author. 245 10 $a Internationalist aesthetics : $b China and early Soviet culture / $c Edward Tyerman. 264 1 $a New York : $b Columbia University Press, $c [2022] 300 $a xi, 353 pages : $b illustrations ; $c 24 cm 504 $a Includes bibliographical references and index. 505 0 $a Introduction: China and early Soviet culture -- Sight, sound, and similarity: Soviet writers travel to China -- Translating China onstage: Roar, China! and The red poppy -- Through an internationalist lens: China in early Soviet cinema -- Confessions and collaborations: authority, agency, agency and factographic internationalism in Den Shi-khua -- Epilogue: International literature, national form, and missed connections. 520 $a "While the Third Communist International (Comintern) supported nationalist revolution in China, Soviet writers and film-makers traveled to China, met with Chinese students in Moscow, and sought to reimagine China for a Soviet audience as the next site of world revolution. Their artistic experiments constituted a search for an "internationalist aesthetics": a mode of representation that could overcome the exoticism of imperialist culture and produce transnational sympathies between populations previously considered culturally distant. Contributing to a recent cultural turn in the study of socialist internationalism, Internationalist Aesthetics positions China in the 1920s as the central space for Soviet culture's attempt to imagine how internationalism was supposed to look and feel. Tyerman traces the reimagining of China through the multiple genres and media of the early Soviet cultural system, including reportage, film, theater, and biography. This account offers new insight into the transnational dynamics that shaped Soviet culture and socialist aesthetics, and illuminates a crucial chapter in Sino-Russian relations, one of the most significant international relationships of the twentieth and twenty-first centuries"-- $c Provided by publisher. 651 0 $a Soviet Union $x Foreign relations $z China. 651 0 $a China $x Foreign relations $z Soviet Union. 651 0 $a China $x In mass media. 650 0 $a Communism and culture $z Soviet Union $x History. 650 0 $a Communist aesthetics. 650 0 $a Mass media and culture $z Soviet Union $x History. 651 0 $a China $x Foreign public opinion, Soviet Union. 651 0 $a Soviet Union $x Foreign public opinion, Chinese. 650 7 $a Communism and culture. $2 fast $0 (OCoLC)fst00870489 650 7 $a Communist aesthetics. $2 fast $0 (OCoLC)fst00870550 650 7 $a Diplomatic relations. $2 fast $0 (OCoLC)fst01907412 650 7 $a Mass media. $2 fast $0 (OCoLC)fst01011219 650 7 $a Mass media and culture. $2 fast $0 (OCoLC)fst01011339 650 7 $a Public opinion, Chinese. $2 fast $0 (OCoLC)fst01354099 651 7 $a China. $2 fast $0 (OCoLC)fst01206073 651 7 $a Soviet Union. $2 fast $0 (OCoLC)fst01210281 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 776 08 $i Online version: $a Tyerman, Edward. $t Internationalist aesthetics $d New York : Columbia University Press, [2021] $z 9780231552981 $w (DLC) 2021015967 941 $a 1 952 $l OVUX522 $d 20231117033242.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=203177ECBFA611ECA5AD8FDE3CECA4DBInitiate Another SILO Locator Search