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04237aam a2200601 i 4500 001 DABBEE54214711EEBC7340321FECA4DB 003 SILO 005 20230713010558 008 180222t20182018ncua b 001 0 eng c 010 $a 2018008223 020 $a 1478000481 020 $a 9781478000488 020 $a 1478000392 020 $a 9781478000396 035 $a (OCoLC)1007079222 040 $a NcD/DLC $b eng $e rda $c DLC $d OCLCF $d OCLCO $d OCLCQ $d CBY $d YDX $d OCLCO $d CTU $d UKMGB $d WLU $d CWY $d PUL $d TXHLC $d UPM $d VKC $d OKX $d OCLCQ $d HQL $d MND $d CHVBK $d OCLCO $d ZHC $d OCLCQ $d OCLCA $d OMB $d OCLCA $d OCLCO $d SILO 042 $a pcc 043 $a n-us--- 050 00 $a PN1992.8.A34 $b D83 2018 082 00 $a 791.4508996073 $2 23 100 1 $a DuCille, Ann, $e author. 245 10 $a Technicolored : $b reflections on race in the time of TV / $c Ann duCille. 246 30 $a Reflections on race in the time of TV 264 1 $a Durham : $b Duke University Press, $c 2018. 300 $a xi, 340 pages : $b illustrations ; $c 24 cm. 490 1 $a A Camera obscura book 504 $a Includes bibliographical references and index. 505 0 $a Introduction : Black and white and technicolored: channeling the TV life -- What's in a game?: quiz shows and the "prism of race" -- "Those thrilling days of yesteryear": stigmatic blackness and the rise of technicolored TV -- The Shirley Temple of my familiar: take two -- Interracial loving: sexlessness in the suburbs of the 1960s -- "A credit to my race": acting Black and Black acting from Julia to Scandal -- A clear and present absence: Perry Mason and the case of the missing "minorities" -- "Soaploitation": getting away with murder in primetime -- The Punch and Judge Judy shows: really real TV and the dangers of a day in court -- The autumn of his discontent: Bill Cosby, fatherhood, and the politics of palatability -- The "thug default": why racial representation still matters -- Epilogue : Final spin: "That's not my food." 520 $a "From early sitcoms such as 'I Love Lucy' to contemporary prime-time dramas like 'Scandal' and 'How to Get Away with Murder, ' African Americans on television have too often been asked to portray tired stereotypes of blacks as villains, vixens, victims, and disposable minorities. In this book, black feminist critic Ann duCille combines cultural critique with personal reflections on growing up with the new medium of TV to examine how televisual representations of African Americans have changed over the last sixty years. Whether explaining how watching Shirley Temple led her to question her own self-worth or how televisual representation functions as a form of racial profiling, the author traces the real-life social and political repercussions of the portrayal and presence of African Americans on television. Neither a conventional memoir nor a traditional media study, Technicolored offers one lifelong television watcher's careful, personal, and timely analysis of how television continues to shape notions of race in the American imagination"--Back cover. 650 0 $a African Americans on television. 650 0 $a Race on television. 650 0 $a Racism on television. 650 0 $a Television programs $z United States. 650 6 $a Noirs ameÌricains aÌ la teÌleÌvision. 650 6 $a Race aÌ la teÌleÌvision. 650 6 $a Racisme aÌ la teÌleÌvision. 650 6 $a EÌmissions teÌleÌviseÌes $z EÌtats-Unis. 650 7 $a African Americans on television. $2 fast $0 (OCoLC)fst00799744 650 7 $a Race on television. $2 fast $0 (OCoLC)fst01923111 650 7 $a Racism on television. $2 fast $0 (OCoLC)fst01200296 650 7 $a Television programs. $2 fast $0 (OCoLC)fst01147026 651 7 $a United States. $2 fast $0 (OCoLC)fst01204155 650 7 $a Fernsehsendung $2 gnd 650 7 $a Rasse $2 gnd 650 7 $a Rassismus $2 gnd 650 7 $a Schwarze $2 gnd 651 7 $a USA $2 gnd 776 08 $i Online version: $a DuCille, Ann. $t Technicolored. $d Durham : Duke University Press, 2018 $z 9781478002215 $w (DLC) 2018009529 830 0 $a Camera obscura book (Duke University Press) 941 $a 1 952 $l PLAX964 $d 20230718093130.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=DABBEE54214711EEBC7340321FECA4DB 994 $a 92 $b IOHInitiate Another SILO Locator Search