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02817aam a2200421 i 4500 001 96EA53F8E9E711E69A6025A3DAD10320 003 SILO 005 20170203020341 008 160815s2017 nyua b 001 0deng 010 $a 2016014311 020 $a 0823272907 (pbk. : alk. paper) 020 $a 9780823272907 (pbk. : alk. paper) 020 $a 0823272893 (cloth : alk. paper) 020 $a 9780823272891 (cloth : alk. paper) 035 $a (OCoLC)941874950 040 $a DLC $b eng $e rda $c DLC $d YDXCP $d BDX $d BTCTA $d OCLCF $d VYF $d BNG $d SILO 042 $a pcc 043 $a n-us--- 050 00 $a E444 N43 2017 100 1 $a Neary, Janet, $e author. 245 10 $a Fugitive Testimony : $b On the Visual Logic of Slave Narratives / $c Janet Neary. 246 30 $a On the visual logic of slave narratives 250 $a First edition. 264 1 $a New York : $b Fordham University Press, $c 2017. 300 $a 222 pages : $b illustrations ; $c 24 cm 504 $a Includes bibliographical references and index. 505 0 $a Introduction : representational static -- Sight unseen : contemporary visual slave narratives -- Behind the scenes and inside out : Elizabeth Keckly's use of the slave narrative form -- Optical allusions: textual visuality in running a thousand miles for freedom -- "The shadow of the cloud" : racial speculation and cultural vision in Solomon Northup's Twelve years a slave -- Gestures against movements : Henry Box Brown and economies of narrative performance -- Epilogue : racial violence, racial capitalism, and reading revolution: Harriet Jacobs, John Jones, Kerry James Marshall, and Kyle Baker. 505 0 $a "Fugitive Testimony examines African American slave narratives in light of contemporary artists' use of the genre within their visual art at the end of the twentieth century. It identifies a sustained representational strategy employed by black cultural producers across time to challenge the racial presumptions that manifest as artistic constraints." -- Provided by publisher. 520 0 $a "Fugitive Testimony examines African American slave narratives in light of contemporary artists' use of the genre within their visual art at the end of the twentieth century. It identifies a sustained representational strategy employed by black cultural producers across time to challenge the racial presumptions that manifest as artistic constraints." -- Provided by publisher. 650 0 $a Slave narratives $z United States $x History and criticism. 650 0 $a Slavery in art. 650 0 $a Semiotics and the arts. 650 0 $a Art, Modern $y 20th century $x Themes, motives. 941 $a 2 952 $l USUX851 $d 20231205012556.0 952 $l OVUX522 $d 20191211032553.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=96EA53F8E9E711E69A6025A3DAD10320 994 $a C0 $b IWAInitiate Another SILO Locator Search