The Locator -- [(isbn = "9780472130030")]

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020    $a 9780472130030
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050 00 $a PS374.S5 $b C65 2016
082 00 $a 813/.010903 $2 23
100 1  $a Collins, Michael J. $q (Michael James), $d 1984- $e author. $0 http://id.loc.gov/authorities/names/n2016020799
245 14 $a The drama of the American short story, 1800-1865 / $c Michael J. Collins.
264  1 $a Ann Arbor : $b University of Michigan Press, $c [2016]
300    $a vi, 270 pages ; $c 24 cm
504    $a Includes bibliographical references (pages 251-263) and index.
505 0  $a Introduction: The Irving brothers at the Park Theatre, 1802 -- "No garden of thought, nor elysium of fancy": Washington Irving's The sketch-book of Geoffrey Crayon, Gent -- The rites of pure brotherhood: fraternalism and performance in Poe and Lippard -- "The rule of men entirely great": Richelieu, ritual, and republicanism in Melville's diptychs -- The "child of nature," or the "wonder of the age": Melville's child prodigies -- "Contending for an empire": performing sincerity in Hawthorne's New England -- Epilogue: Louisa May Alcott's theatrical realism.
520 8  $a This book argues that to truly understand the short story form, one must look at how it was shaped by the lively, chaotic, and deeply politicized world of 19th-century transatlantic theater and performance culture. By resurrecting long-neglected theatrical influences on representative works of short fiction, Michael J. Collins demonstrates that it was the unruly culture of the stage that first energized this most significant of American art forms. Whether it was Washington Irving's first job as theater critic, Melville's politically controversial love of British drama, Alcott's thwarted dreams of stage stardom, Poe and Lippard's dramatizations of peculiarly bloodthirsty fraternity hazings, or Hawthorne's fascination with automata, theater was a key imaginative site for the major pioneers of the American short story. The book shows how perspectives from theater studies, anthropology,and performance studies can enrich readings of the short story form. Moving beyond arbitrary distinctions between performance and text, it suggests that this literature had a social life and was engaged with questions of circumatlantic and transnational culture. It suggests that the short story itself was never conceived as a nationalist literary form,but worked by mobilizing cosmopolitan connections and meanings. In so doing, the book resurrects a neglected history of American Federalism and its connections to British literary forms.
650  0 $a Short stories, American $x History and criticism. $0 http://id.loc.gov/authorities/subjects/sh2008111636
650  0 $a American fiction $y 19th century $x History and criticism. $0 http://id.loc.gov/authorities/subjects/sh2007101032
650  0 $a Performance in literature. $0 http://id.loc.gov/authorities/subjects/sh94007571
650  0 $a Performing arts in literature. $0 http://id.loc.gov/authorities/subjects/sh94007741
650  0 $a Theater in literature. $0 http://id.loc.gov/authorities/subjects/sh94009143
650  0 $a Ritual in literature. $0 http://id.loc.gov/authorities/subjects/sh85114229
651  0 $a America $x In literature. $0 http://id.loc.gov/authorities/subjects/sh2008114181
650  0 $a National characteristics, American, in literature. $0 http://id.loc.gov/authorities/subjects/sh95007417
650  7 $a American fiction. $2 fast $0 (OCoLC)fst00807048
650  7 $a Literature. $2 fast $0 (OCoLC)fst00999953
650  7 $a National characteristics, American, in literature. $2 fast $0 (OCoLC)fst01033350
650  7 $a Performance in literature. $2 fast $0 (OCoLC)fst01057873
650  7 $a Performing arts in literature. $2 fast $0 (OCoLC)fst01057956
650  7 $a Ritual in literature. $2 fast $0 (OCoLC)fst01098256
650  7 $a Short stories, American. $2 fast $0 (OCoLC)fst01117064
650  7 $a Theater in literature. $2 fast $0 (OCoLC)fst01149340
651  7 $a America. $2 fast $0 (OCoLC)fst01239786
648  7 $a 1800-1899 $2 fast
655  7 $a Criticism, interpretation, etc. $2 fast $0 http://id.worldcat.org/fast/1411635 $0 http://id.worldcat.org/fast/1411635
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