Includes bibliographical references (p. [249]-269) and index.
Contents:
Broadway without borders / Kerry Bystrom. Section 3: transnational publics -- Dead body politics: Grupo Cultural Yuyachkani at Peru's Truth Commission / Anne Lambright -- Where "God is like a longing": theater and social vulnerability in Mozambique / Luís Madureira -- The ESMA: from torture chambers into new sites of memory / Paola S. Hernández -- Surpassing metaphors of violence in postdictatorial Southern Cone theater / Brenda Werth -- Section 2: the "War on Terror" and the global economic order -- Place and misplaced rights in Guantánamo: Honor Bound to Defend Freedom / Lindsey Mantoan -- Challenging the "fetish of the verbatim": new aesthetics and familiar abuses in Christine Evan's Slow Falling Bird / Christina Wilson -- Stages of transit: Rascón Banda's Hotel Juáres and Peveroni's Berlin / Sarah M. Misemer -- Migrant melodrama, human rights, and Elvira Arellano / Ana Elena Puga -- Section 3: transnational publics -- "Get up, stand up, stand up for your rights": transnational belonging and rights of citizenship in Dominican theater / Camilla Stevens -- Theaters of Vigil and vigilance: a playwright's notes on theater and human rights in the Philippines / Joi Barrios -- "The spectacle of our suffering": staging the international human rights imaginary in Tony Kushner's Homebody/Kabul / Elizabeth S. Anker -- Broadway without borders / Eve Ensler, Lynn Nottage, and the campaign to end violence against women in the Democratic Republic of Congo / Kerry Bystrom.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.