Includes bibliographical references (pages 186-188) and index.
Contents:
Signs of recovery: landscape painting and masculinity in nineteenth-century France / Steven Adams -- Technique and gender: landscape, ideology and the art of Monet in the 1890s / Anthea Callen -- The marketing of Helen Allingham: the English cottage and national identity / Anne Helmreich -- In the bleaching fields: gender, landscape and modernity in The Netherlands 1880-1920 / Jane Beckett -- Landscape, space and gender: their role in the construction of female identity in newly independent Ireland / Síghle Bhreathnach-Lynch -- Soviet superwoman in the landscape of liberty: Aleksandr Deineka's Razdolʹe, 1944 / Pat Simpson -- Landscape, masculinity and interior space between the wars / David Peters Corbett -- Cézanne's maternal landscape and its gender / Paul Smith -- Robert Smithson's technological sublime: alterities and the 'female earth' / Caroline A. Jones -- Gender in perspective: the king and queen's visit to the panorama in 1793 / Denise Blake Oleksijczuk -- 'Ain't going nowhere': Richard Long: global explorer / Anna Gruetzner Robins -- Trash: public art by the Garbage Girls / Jo Anna Isaak.
Summary:
This collection of essays charts the ways in which artists from the late 18th century to the 21st have used notions of femininity and masculinity to understand and interpret the landscape and how it is represented.
Series:
The Barber Institute's critical perspectives in art history series
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.