On being Norman: performance and inner life in Hitchcock's Psycho / Deborah Thomas. Hitchcock's imagery and art / Maurice Yacowar -- Retrospective / Robin Wood -- Hitch as matrix figure: Hitchcock and twentieth century cinema / John Orr -- Hitchcock's The lodger / Lesley W. Brill -- Criticism and/as history: rereading Blackmail / Leland Poague -- Alfred Hitchcock's murder: theater, authorship, and the presence of the camera / William Rothman -- Consolidation of a classical style: The man who knew too much / Elizabeth Weis -- Through a woman's eyes: sexuality and memory in The 39 steps / Charles L.P. Silet -- Rematerializing the vanishing "lady": feminism, Hitchcock, and interpretation / Patrice Petro -- All in the family: Alfred Hitchcock's Shadow of a doubt / James McLaughlin -- The moral universe of Hitchcock's Spellbound / Thomas Hyde -- Notorious: perversion par excellence / Richard Abel -- Strangers on a train / Robin Wood -- Hitchcock's Rear window: reflexivity and the critique of voyeurism / Robert Stam and Roberta Pearson -- Finding the right man in The wrong man / Marshall Deutelbaum -- Male desire, male anxiety: the essential Hitchcock / Robin Wood -- A closer look at scopophilia: Mulvey, Hitchcock and Vertigo / Marian E. Keane -- North by northwest / Stanley Cavell -- "Oh, I see": The birds and the culmination of Hitchcock's romantic vision / John P. McCombe -- Mark's Marnie / Michele Piso -- The queer voice in Marnie / Lucretia Knapp -- Rituals of defilement: Frenzy / Tania Modleski -- Psychosis, neurosis, perversion / Raymond Bellour -- Psycho's allegory of seeing / Christopher D. Morris -- On being Norman: performance and inner life in Hitchcock's Psycho / Deborah Thomas.
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