Originally published on the occasion of the exhibition at the de Young, November 18, 2006-January 28, 2007, and at the American National Museum, Los Angeles, March 10-May 27, 2007. Includes bibliographical references (pages 312-316) and index.
Contents:
Ruth Asawa : citizen of the universe / Timothy Anglin Burgard -- A working life / Jacqueline Hoefer -- Inside and outside at the same time / Karin Higa -- Black Mountain College / Mary Emma Harris -- "Plants, and objects, and people" : the Tamarind Lithography Workshop / Colleen Terry -- Interview with Ruth Asawa and Albert Lanier / Paul J. Karlstrom -- Critiquing the critique : early reception/ Emily K. Doman Jennings -- "Making it mine as well as hers" : Ruth Asawa and Imogen Cunningham / Susan Ehrens -- The art of space : sculptural installations / Daniell Cornell -- The Alvarado Art Workshop, 1968-1973 / Sally B. Woodbridge -- The CETA years, 1975-1980 / John Kreidler -- Planting the seed : the artist as mentor / Susan Stauter.
Summary:
The work of American artist Ruth Asawa (1926-2013) is brought into brilliant focus in this definitive book, originally published to accompany the first complete retrospective of Asawa's career, organized by the Fine Arts Museums of San Francisco in 2006. This new edition features an expanded collection of essays and a detailed illustrated chronology that explore Asawa's fascinating life and her lasting contributions to American art. Beginning with her earliest works-drawings and paintings created in the 1940s while studying at Black Mountain College-this volume traces Asawa's flourishing career in San Francisco and her trajectory as a pioneering modernist sculptor who is recognized internationally for her innovative wire sculptures, public commissions, and activism on behalf of public arts education. Through her lifelong experimentations with wire, especially its capacity to balance open and closed forms, Asawa invented a powerful new vocabulary that contributed a unique perspective to the field of twentieth-century abstract sculpture. Working in a variety of nontraditional media, Asawa performed a series of remarkable metamorphoses, leading viewers into a deeper awareness of natural forms by revealing their structural properties. Through her art, Asawa transfigured the commonplace into metaphors for life processes themselves. The Sculpture of Ruth Asawa establishes the importance of Asawa's work within a larger cultural context of artists who redefined art as a way of thinking and acting in the world, rather than as merely a stylistic practice.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.