Includes bibliographical references (p. [223]-240) and index.
Contents:
Impersonation and double agency : theorizing the practice, practicing the theory -- Dissecting the "Devil Doctor" : stereotype and sensationalism in Sax Rohmer's Fu Manchu -- De/posing stereotype on the Asian American stage -- Bodily negotiations : the politics of performance in Hualing Nieh's Mulberry and Peach -- Shamanism and the subject(s) of history in Nora Okja Keller's Comfort woman -- Impersonation and other disappearing acts : the double(d) agent of Chang-rae Lee's Native speaker.
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