880-06 Ibid Svecha svi︠a︡toĭ Anny -- Sima, derzhashchai︠a︡ kotënka -- Nokti︠u︡rn -- Mestonakhozhdenie izvestno -- Devushka s Plotinki -- Ptit︠s︡a za oknom -- Utrenniĭ son v Minske -- Krasavit︠s︡a -- Armastan -- Ibid
Summary:
880-07 Anna Matveeva -- avtor romanov "Kazhdye sto let", "Pereval Di︠a︡tlova, ili Taĭna devi︠a︡ti", "Zavidnoe chuvstvo Very Steninoĭ" i "Estʹ!", sbornikov rasskazov "Kati︠a︡ edet v Sochi", "Spri︠a︡tannye reki", "Lolotta i drugie parizhskie istorii", a takzhe knig "Gorozhane" i "Kartinnye devushki". Finalist premiĭ "Bolʹshai︠a︡ kniga" i "I︠A︡snai︠a︡ Poli︠a︡na". V novom sbornike rasskazov i povesteĭ "Armastan" vse teksty tak ili inache svi︠a︡zany s vizualom -- rechʹ pro kartiny, fotografii, plakaty, risunki, v obshchem, pro vsë, chto Gertruda Staĭn nazyvala "izobrazhenii︠a︡mi na ploskoĭ poverkhnosti". Khudozhniki, muzei, tvorcheskie stradanii︠a︡, a eshchë -- muchitelʹnye poiski zhilʹi︠a︡, li︠u︡bovnyĭ bred i nostalʹgii︠a︡. Vsë, chto my li︠u︡bim. Vot i "armastan" po-ėstonski -- "li︠u︡bli︠u︡". "Anna Matveeva is the author of the novels "Every Hundred Years", "Dyatlov Pass, or the Secret of the Nine", "The Enviable Feeling of Vera Stenina" and "Yes!", collections of short stories "Katya Goes to Sochi", "Hidden Rivers", "Lolotta and Others" Parisian stories", as well as the books "Citizens" and "Picture Girls". Finalist of the Big Book and Yasnaya Polyana awards. In the new collection of short stories and stories "Armastan", all the texts are in one way or another connected with the visual - we are talking about paintings, photographs, posters, drawings, in general, about everything that Gertrude Stein called "images on a flat surface." Artists, museums, creative suffering, and also a painful search for housing, delirium of love and nostalgia. Everything we love. So "armastan" in Estonian means "I love you." "Anna Matveeva's "Armastan" is like a sketchbook of an artist-traveler. In the skillful sketches of other people's lives, there was a place for disheveled sparrows drawn with fragile sanguine, and Moscow high-rise buildings drawn with felt-tip pens, and tender, elusive dates among paintings, conveyed in watercolor." Elena Sharova, Museum of Russian Impressionism". -- Back cover.
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