The Locator -- [(author = "Mann Ted")]

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Author:
Solomon R. Guggenheim Museum, author.
Title:
Object lessons : case studies in minimal art - the Guggenheim Panza Collection Initiative / Francesca Esmay, Ted Mann, and Jeffrey Weiss.
Publisher:
Guggenheim Museum,
Copyright Date:
2021
Description:
327 pages : illustrations (some color) ; 28 cm
Subject:
Solomon R. Guggenheim Museum.
Solomon R. Guggenheim Museum.
Minimal art--Expertising--New York.--New York.
Art museums--Collection management--Case studies.
Art museums--Curatorship--Case studies.
Art museums--Collection management.
Art museums--Curatorship.
New York (State)--New York.
Case studies.
Case studies.
Other Authors:
Pappajohn, John donor IaU
Panza Collection Initiative.
Esmay, Francesca, contributor.
Mann, Ted (Curator), contributor.
Weiss, Jeffrey S., contributor.
Notes:
Includes bibliographical references and index.
Contents:
Case studies / Francesca Esmay, Ted Mann, and Jeffrey Weiss -- Decommission. Holding pattern : history, policy, works / Francesca Esmay, Ted Mann, and Jeffrey Weiss -- Endgame / Martha Buskirk -- Enforcing the work of art / Virginia Rutledge -- Where does the work reside? a conversation between Martha Buskirk and Virginia Rutledge -- Selected correspondence and PCI interviews.
Summary:
"Based upon the research of the Panza Collection Initiative, a ten-year study project, Object Lessons focuses on four works by key figures of 1960s minimalism and conceptual art: Dan Flavin, Donald Judd, Robert Morris, and Lawrence Weiner. Authors Francesca Esmay, Ted Mann, and Jeffrey Weiss present each work from several vantages: an exhaustive chronological account conveys the surprisingly complicated history of the work's realization, acquisition, ownership and display. An overview addresses the broad practical and conceptual implications of this information for the historical identity of the work and its consequences for the work's future. A conservation narrative establishes the role of fabricators and the material and technical standards for the production of the object. Together, the authors explore how a previously unaddressed history of production, ownership and display has deeply influenced the life and legacy of the radical objects of minimal art. A separate section, with contributions by Martha Buskirk and Virginia Rutledge, examines the topic of decommission, a new category of collection classification for works that are contested or compromised and are therefore no longer viable for display. Throughout, the book is illustrated with photographs of the works, the exhibitions in which they appeared and related drawings and proposals. Rounding out this volume are extensive excerpts of new interviews with artists and fabricators, key historical documents, and previously unpublished correspondence"--Provided by publisher.
ISBN:
0892075562
9780892075560
OCLC:
(OCoLC)1232012439
LCCN:
2021001393
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

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This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.