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03113aam a2200361Ii 4500 001 75AA3AA27CB711EB8C51190E5AECA4DB 003 SILO 005 20210304010025 008 191217s2019 ne a 000 0 eng d 020 $a 949314819X 020 $a 9789493148192 035 $a (OCoLC)1131900842 040 $a ERASA $b eng $e rda $c ERASA $d OCLCQ $d UIU $d OCLCF $d MUO $d PAU $d OCLCO $d YDX $d IWA $d SILO 050 4 $a N7433.8 R47x 2019 082 04 $a 111.85 $2 22 100 1 $a Otto, Laurenz (Ed.). 245 00 $a Resolution. $n Issue no. 0, $p The pixel / $c Laurenz Otto, editor-in-chief ; Jochem van Larhoven, image editor. 246 30 $a Pixel 264 1 $a Eindhoven : $b Onomatopee ; $c [2019] 300 $a 93 pages : $b illustrations ; $c 27 cm. 490 0 $a Resolution magazine ; $v 0 505 00 $t Artist's edition / $r Doris Boerman. $t Visual truth to come / $r Giacomo Mercuriali -- $t Contemplating pixels and death: Belit SagÌ's what remains; geriye kalanlar (2019) / $r Kyveli Lignou-Tsamantani -- $t A pixel is not a square, a pixel is not a square, a pixel is not a square! (and a voxel is not a little cube) / $r Alvy Ray Smith -- $t Artists contributions / $r David Denil ; Jonas Beerts ; Elias Heuninck -- $t Devices (Digital bolex D16) $r Caszimir Cleutjens -- $t Debates (Mitchell vs Manovich) -- $t Artist's edition / $r Doris Boerman. 520 8 $a This issue of 'RESOLUTION' looks at the most elementary building block of a digital image. It is nerdy, utterly unsexy, but nevertheless has remained enigmatic. This issue looks at pixel from a technical, ethical, artistic, and and economic viewpoint.00Essays:0- Giacomo Mercuriali discusses how computer-generated pictures, such as appeared to defame Jamel Kashoggi, rely on the same ideas of veracity as in traditional photography. Kyveli Lignou-Tsamantani looks at the relationship between pixelisation, atrocity images and spectatorship through the work what remains by belit sa, offering an ethical reading of the use of pixels. Alvy Ray Smith, co-founder of Pixar Studios, has given permission to republish his memo that technically lays out what a pixel is. He is currently working on the 'Biography of the Pixel', which is now seven years in the making. The section "Devices" enters the discussion about the pixel from the viewpoint of a camera, the Digital Bolex. Caszimir Cleutjens discusses this spastically anachronistic device with filmmaker Tanguy De Donder, who used the camera for his film 'Je suis un Monstre'. The section "Debates" restages a timely debate. Caszimir Cleutjens has put Lev Manovich and William J. Mitchell in a direct confrontation regarding the question if digital images are fundamentally different from traditional photography. 650 0 $a Digital images. 700 1 $a Otto, Laurenz, $e editor. 700 1 $a Larhoven, Jochem van, $e editor. 700 1 $a Smith, Alvy Ray, $d 1943- $e contributor. 700 1 $a Denil, David, $e contributor. 830 0 $a Onomatopee (Series) ; $v 189.1. 941 $a 1 952 $l USUX851 $d 20210406014355.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=75AA3AA27CB711EB8C51190E5AECA4DB 994 $a 92 $b IWAInitiate Another SILO Locator Search