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03504aam a2200349 a 4500 001 445E92B245E811E3A4FDE4CADAD10320 003 SILO 005 20131105010132 008 130221s2013 be a bc 001 0 fre c 020 $a 9462300011 020 $a 9789462300019 035 $a (OCoLC)828187363 040 $a ERASA $b eng $c ERASA $d OCLCQ $d FXM $d FDA $d SILO 042 $a pcc 043 $a e-be--- 050 4 $a N6968.5.A2 $b M63 2013 245 00 $a Modernisme : $b l'art abstrait belge et l'Europe / $c sous la direction de Johan De Smet ; textes de Liesbeth Decan ... [et al.]. 246 30 $a Art abstrait belge et l'Europe 260 $a Gent : $b Museum voor Schone Kunsten ; $c c2013. 300 $a 343 p. : $b ill. (some col.) ; $c 29 cm. 500 $a Catalog of an exhibition held at Museum voor Schone Kunsten, Ghent, Belgium, Mar. 2-June 30, 2013. 504 $a Includes bibliographical references (p. 329-339) and index. 520 8 $a In this book, the Belgian historical avant-garde around 1920 is viewed for the first time from a broader European perspective. Not only did protagonists like Jules Schmalzigaug, Georges Vantongerloo and Marthe Donas establish an immediate link with Italian futurism, the Nieuwe Beelding (or neoplasticism) and post-cubism, but in 1920 Karel Maes, Jozef Peeters and Victor Servranckx began to play a prominent role in European constructivism. The pursuit of a community art was not restricted to visual art, as evidenced by architecture and applied art, but also literature, music and the performing arts. Belgian photography and films were also a reflection of international modernism. In this book Belgium's earliest abstract artists are juxtaposed for the first time with like-minded foreign artists such as Fernand LeÌger, LaÌszloÌ Moholy-Nagy, Kurt Schwitters and Theo van Doesburg. Exhibition: Museum voor Schone Kunsten, Ghent, Belgium (2.3.-30.6.2013). 505 00 $t Artistes, expositions, revues, eÌveÌnements / $r Peter J.H. Pauwels (avec la collaboration de Virginie Devillez). $t Entre la sculpture et la peinture : $t le dialogue de Georges Vantongerloo avec l'infini / $r Marek Wieczorek -- $t Marthe Donas, une artiste d'avant-garde entre neÌocubisme et art abstrait / $r Peter J.H. Pauwels -- $t Au-delaÌ de la mimesis : $t vers un art autonome en Belgique, 1917-1930 / $r Johan De Smet -- $t Paul Joostens et son royaume dadaiÌste de choses inutiles / $r Phillip Van den Bossche -- $t L'internationalisme des revues modernistes / $r Ceri-Anne can de Geer, Angelica Overwater, Laura Kollwelter -- $t La conception graphique en Belgique pendant l'entre-deux-guerres / $r Katrien Van Haute -- $t La reÌception du modernisme belge / $r Sergio ServelloÌn -- $t L'art communautaire au deÌbut des anneÌes 1920 : $t de l'expressionnisme au constructivisme / $r Hans Vandevoorde -- $t Abstraction et modernisme dans la photographie et le cineÌma belges 1920-1935 / $r Steven Jacobs et Liesbeth Decan -- $t Architecture et modernisme 1912-1940 / $r Marc Dubois -- $t Chronologie sommaire 1912-1933. $t Artistes, expositions, revues, eÌveÌnements / $r Peter J.H. Pauwels (avec la collaboration de Virginie Devillez). 650 0 $a Art, Abstract $z Belgium $v Exhibitions. 650 0 $a Art, European $y 20th century $v Exhibitions. 700 1 $a Smet, Johan de, $e editor. 700 1 $a Decan, Liesbeth. 710 2 $a Museum voor Schone Kunsten (Ghent, Belgium) 941 $a 1 952 $l OVUX522 $d 20231017020804.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=445E92B245E811E3A4FDE4CADAD10320Initiate Another SILO Locator Search