The Locator -- [(author = "Clunas Craig")]

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03313aam a2200553 i 4500
001 B858043CF5D411E7B33F7C0497128E48
003 SILO
005 20180110010212
008 160712s2017    njua     b    001 0 eng  
010    $a 2016027789
020    $a 0691171939
020    $a 9780691171937
035    $a (OCoLC)948560886
040    $a DLC $b eng $e rda $c DLC $d BTCTA $d OCLCO $d OCLCQ $d OCLCF $d YDXCP $d YDX $d OCLCO $d ZLM $d NRC $d MYG $d CHVBK $d OCLCO $d UBY $d ZCU $d OCLCA $d SILO
042    $a pcc
050 00 $a ND1040 $b .C627 2017
082 00 $a 759.51 $2 23
084    $a ART009000 $a ART015000 $a ART009000 $2 bisacsh
100 1  $a Clunas, Craig, $e author.
245 10 $a Chinese painting and its audiences / $c Craig Clunas.
264  1 $a Princeton, New Jersey : $b Princeton University Press, $c [2017]
300    $a x, 288 pages : $b illustrations, mostly colored ; $c 30 cm.
490 1  $a The A.W. Mellon lectures in the fine arts ; $v 2012
490 1  $a Bollingen series XXXV ; $v volume 61
504    $a Includes bibliographical references (page 263-276) and index.
505 0  $a Beginning and ending -- The gentleman -- The emperor -- The merchant -- The nation -- The people.
520    $a "What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Richly illustrated, Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition. Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people." -- Publisher's description
650  0 $a Painting, Chinese.
650  0 $a Painting, Chinese $x Appreciation.
650  7 $a ART $x Asian. $2 bisacsh
650  7 $a ART $x General. $x General. $2 bisacsh
650  7 $a ART $x Criticism & Theory. $2 bisacsh
650  4 $a ART $x Asian.
650  4 $a ART $x General. $x General.
650  4 $a ART $x Criticism & Theory.
650  4 $a Painting, Chinese.
650  4 $a Painting, Chinese $x Appreciation.
650  7 $a Kunstkritik $2 gnd $0 (DE-588)4033659-1
650  7 $a Kunstsammler $2 gnd $0 (DE-588)4166042-0
650  7 $a Malerei $2 gnd $0 (DE-588)4037220-0
650  7 $a Publikum $2 gnd $0 (DE-588)4047764-2
651  7 $a China $2 gnd $0 (DE-588)4009937-4
650  7 $a Painting, Chinese. $2 fast $0 (OCoLC)fst01050737
650  7 $a Painting, Chinese $x Appreciation. $2 fast $0 (OCoLC)fst01050738
830  0 $a A.W. Mellon lectures in the fine arts ; $v 2012.
830  0 $a Bollingen series ; $v 35:61.
941    $a 1
952    $l OVUX522 $d 20180710045141.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=B858043CF5D411E7B33F7C0497128E48

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