Includes bibliographical references (p. 189-196) and index.
Contents:
Introduction: vamping til ready -- Movement I: Three ways of looking at a yardbird: Charlie Parker and the theorization of jazz improvisation in the work of Ralph Ellison, James Baldwin, and Le Roi Jones/Amiri Baraka -- Movement II: Black is, black ain't: violence, black masculinity, and the novel as democratic symbol -- Movement III: Cutting session: Baldwin as intellectual prizefighter, Baldwin as improvising intellectual -- Movement IV: Improvising over the changes: improvisation as intellectual and aesthetic practice in the transitional poems of Le Roi Jones/Amiri Baraka -- Coda.
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