Includes bibliographical references (p. 200-221) and index.
Contents:
Introduction -- Fetishistic noir : Charles Baudelaire and Léo Malet -- Liberation noir : Boris Vian and the série noire (1) -- Allegorical noir : Boris Vian and the série noire (2) -- Noir strangulation (1) : Terry Stewart and Vernon Sullivan -- Noir strangulation (2) : Amélie Nothomb and intertextuality -- Jazz : classic French film noir as trans-Atlantic exchange -- Fatal(e) crossings : figures of the feminine in French and American film noir -- Americans in Paris -- From honest thief to media sociopath -- Double-crossings : reversing the remake.
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