The Locator -- [(subject = "Motion pictures--Spain")]

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02864aam a2200373 i 4500
001 8CB83BA4774811E7923FA1BEDAD10320
003 SILO
005 20170802010138
008 160106t20162016enka     b    001 0 eng c
020    $a 1781383146
020    $a 9781781383148
035    $a (OCoLC)934195871
040    $a YDXCP $b eng $e rda $c YDXCP $d ERASA $d OCLCQ $d BDX $d STF $d OCLCO $d TJC $d OCLCF $d TKN $d OCL $d OCLCQ $d MUU $d OBE $d SILO
042    $a pcc
043    $a e-sp---
050  4 $a PN1993.5 S7 Z36 2016
100 1  $a Zamora, Andres, $e author.
245 10 $a Featuring post-national Spain : $b film essays / $c Andres Zamora.
264  1 $a Liverpool : $b Liverpool University Press, $c 2016.
300    $a x, 206 pages : $b illustrations ; $c 24 cm.
490 1  $a Contemporary Hispanic and Lusophone cultures
504    $a Includes bibliographical references (pages 181-195) and indexes.
505 0  $a Prologue -- Borders (The exemplary basque case) -- Violence (Spanish eyes) -- Travel (The transhumant model) -- Mothers -- Final remarks (For an impure nation).
520    $a In the last quarter of the twentieth century a considerable number of Spanish films were involved in the task of essaying the nation, that is, of attempting to make it or make it over, of trying to reshape a national identity inexorably dictated by General Francisco Franco up to his death. The book explores four major issues in this regard: 1) the filmic negotiations of the borders of the nation, focusing particularly on the debated and controversial development of Basque cinema vis-a-vis the films produced in the rest of Spain; 2) the persistence of the old obsession with violence, thought of as an inescapable native trait, in a large amount of post-dictatorial films; 3) the newfound insatiable appetite for cinematic travelling, for going out and coming in through all possible variations of the road and travel movie genres; 4) and the vindication of the mother qua a benign emblem of the land and its people, of the nation. There is a narrative in Spanish cinema, taken as a collective discourse, which ties together these four cinematic topoi and proposes a nation whose specificity must be precisely its impurity-difference within as essence-a hybrid nation located in temporal and spatial rendezvous of past and present, tradition and novelty, centre and margin, inside and outside, on and beyond.
650  0 $a Motion pictures $z Spain $x History $y 20th century.
651  0 $a Spain $x In motion pictures.
650  0 $a Nationalism in motion pictures.
650  0 $a National characteristics, Spanish, in motion pictures.
830  0 $a Contemporary Hispanic and Lusophone cultures.
941    $a 2
952    $l OVUX522 $d 20191211021152.0
952    $l USUX851 $d 20170907011002.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=8CB83BA4774811E7923FA1BEDAD10320
994    $a C0 $b IWA

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