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03056aam a2200385 i 4500 001 27DD75C23E3011E4861469EFDAD10320 003 SILO 005 20140917010101 008 120409s2012 nyua b 001 0 eng 010 $a 2012013712 020 $a 0230338550 020 $a 9780230338555 035 $a (OCoLC)853067949 040 $a DLC $b eng $e rda $c UBY $d OCLCO $d NhCcYME $d UtOrBLW $d SILO 042 $a pcc 050 00 $a PN1995.9.P783 $b P795 2012 050 00 $a PN1995.9.P783 $b P795 2012 084 $a PER004050 $a SOC052000 $a PER004050 $2 bisacsh 245 00 $a Psychoanalyzing cinema : $b a productive encounter with Lacan, Deleuze, and ¿ưi¿ek / $c edited by Jan Jagodzinski. 250 $a First edition. 260 $a New York, NY : $b Palgrave Macmillan, $c 2012. 300 $a xviii, 281 pages : $b illustrations ; $c 23 cm. 504 $a Includes bibliographical references and index. 520 $a "Brings together and compares/contrasts the writing/influence of the two most important theorists in film studies today: Gilles Deleuze and Slavoj Zizek"-- $c Provided by publisher. 520 $a "Psychoanalysis and schizoanalysis have provided two very powerful approaches to film and its theorization. While the former approach has certainly held the field in terms of theory, the latter position has emerged as its rival, forcing an encounter that needs to be taken seriously. Where does one approach leave off and the other begin? Is there such a break, or has such a line been 'trumped up' by both sides to hold on to their territories? Are both approaches necessary to one another, recalling that Deleuze and Guattari's criticism of psychoanalysis was basically confined to Freud at first. They were quite satisfied with Lacan's development of objet a, or at least as they wrote about it in Anti-Oedipus. A number of theorists have argued that Deleuze and Guattari have 'simply' continued to articulate the Real. To what extent can objet a and the Deleuzian 'event' be theorized as synonymous or complementary concepts? Is the Lacanian sinthome as applied to film comparable to schizoanalysis of film, and what might that be? This is to say, the late Lacan is much more useful to the question(s) than the Lacan of Screen theory etc. A productive encounter (I am utilizing this grapheme ( \/ ) specifically for this encounter) needs to take place to explore the tensions as well as the overlaps that exist between these two approaches. These essays attempt to do just that"-- $c Provided by publisher. 650 0 $a Psychoanalysis and motion pictures. 650 0 $a Motion pictures $x Psychological aspects. 600 10 $a Lacan, Jacques, $d 1901-1981 $x Criticism and interpretation. 600 10 $a Deleuze, Gilles, $d 1925-1995 $x Criticism and interpretation. 600 10 $a ¿ưi¿ek, Slavoj $x Criticism and interpretation. 700 1 $a Jagodzinski, Jan, $d 1948- $e editor. 941 $a 2 952 $l OVUX522 $d 20180111044735.0 952 $l OIAX792 $d 20140917012021.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=27DD75C23E3011E4861469EFDAD10320Initiate Another SILO Locator Search