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03607aam a2200373 i 4500 001 BEB3C12CEB9D11E7A465B32097128E48 003 SILO 005 20171228010216 008 160307s2016 gw b 101 0 ger 010 $a 2016007159 020 $a 3110437856 020 $a 9783110437850 035 $a (OCoLC)944179726 040 $a DLC $b eng $e rda $c DLC $d YDX $d YDXCP $d DEBSZ $d UtOrBLW $d SILO 041 0 $a eng $a eng 042 $a pcc 050 00 $a PN1995 $b .F48557 2016 082 00 $a 791.4301 $2 23 245 04 $a Ein Filmphilosophie-Symposium mit Robert B. Pippin : $b Western, Film Noir und das Kino der BruÌder Dardenne / $c Herausgegeben von Ludwig Nagl und Waldemar Zacharasiewicz. 264 1 $a Berlin ; $b De Gruyter, $c [2016] 300 $a 255 pages ; $c 24 cm. 490 0 $a Wiener Reihe: Themen der Philosophie, $x 2363-9237 ; $v Band 19 546 $a Includes text in German and English. 520 $a "Robert B. Pippin played a major role in shaping film philosophy as a special theme of aesthetics. This volume combines an essay by Pippin with papers by international authors who are associated with his research. Beyond the general realm of film and philosophy, there are readings of key film genres, including the Western and film noir, where Pippin's analyses are compared with those of Deleuze and ZÌizÌek." -- $c Provided by publisher 500 $a Papers based on those presented at an international symposium held in Vienna, April, 2015. 504 $a Includes bibliographical references and indexes. 505 0 $a Einleitung / Ludwig Nagl -- Filmphilosophie in Wien / Waldemar Zacharasiewicz -- Discussing Pippin's film philosophy within the context of the "North Atlantic Triangle". Photographing mindedness. Robert B. Pippin: Photographing mindedness: Cinematic technique and philosophy in the films of the Dardenne Brothers -- Film und Philosophie. Josef FraÌ1/4chtl: Film as philosophy: a Hegelian projection -- Gertrud Koch: Wann wird, was nicht im Bild ist aÌ¿¿ ein Bild? zur Dialektik des filmischen Bildes zwischen Abwesenheit und Anwesenheit -- Birgit Recki: Form und Inhalt: Die Suggestivkraft des Mediums Film -- Krzysztof Piotr SkowronÌski: Robert Pippin's cinematic philosophy in light of Richard Rorty's neopragmatism. Western. Hauke Brunkhorst: Von der aristokratischen TragaÌdie zur KomoÌdie der Demokratie: Karl Marx und der Hollywood-Western -- Inhalt. Karl A. Duffek: "Print the legend": Revisionismus in John Fords Fort Apache und The Man who shot Liberty Valance -- Steven Burns: Let us compare mythologies: Robert Pippin and the Canadian Western. Westerns and the American South. Waldemar Zacharasiewicz: Screening the American South: images of the region since the 1940s -- Film noir. Carmen Birkle: The femme fatale in American film noir -- Ludwig Nagl: Wie koÌnnen Filme philosophisch gelesen werden? ErwaÌngungen zu Pippins LektuÌren des Film Noir -- Arno BaÌhler: Film Noir: Fatalismus "im Zeichen des BaÌsen" -- Diskussionsbemerkung. Herta Nagl-Docekal: Film als Tugendlehre? Eine Diskussionsbemerkung zu Robert Pippins Deutung von le Fils. Replik / Robert B. Pippin -- Responses. 600 10 $a Pippin, Robert B., $d 1948- $x Criticism and interpretation $v Congresses. 650 0 $a Motion pictures $x Philosophy $v Congresses. 700 1 $a Nagl, Ludwig, $e editor. $0 http://id.loc.gov/authorities/names/n81145361 700 1 $a Zacharasiewicz, Waldemar, $e editor. $0 http://id.loc.gov/authorities/names/n86029088 941 $a 1 952 $l OVUX522 $d 20191210024445.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=BEB3C12CEB9D11E7A465B32097128E48Initiate Another SILO Locator Search