Includes bibliographical references (pages 219-230) and index. Includes filmography.
Contents:
Foreword: looking back -- From Brechtian to post-Brechtian cinema: Lars Von Trier and the post-Brechtian -- Historical fragments in the Europa trilogy -- The primacy of the apparatus -- Dogville and Manderlay: experimentation and dialectical negations -- Epilogue: dialogue with the "dissensual" past.
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