"This volume [is] a companion piece to the National Museum of the American Indian (NMAI) exhibition ... ; [it] represents the only major publication of Horace Poolaw's work and celebrates the first retrospective exhibition of his photographs in almost twenty-five years"--Foreword. Published in conjunction with the exhibition For a Love of His People: the Photography of Horace Poolaw, opening at the National Museum of the American Indian, New York, on August 9, 2014. Includes bibliographical references (pages 169-174) and index.
Summary:
"Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian,' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"-- Provided by publisher.
Series:
Henry Roe Cloud series on American Indians and modernity.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.