Filmography (p. [363]-369). Includes bibliographical references (p. [377]-398) and index.
Contents:
Mapping the field of Chinese-language cinema / Sheldon H. Lu and Emilie Yueh-yu Yeh -- Shadow opera: toward a new archaeology of the Chinese cinema / Mary Farquhar and Chris Berry -- Bodies in the air: the magic of science and the fare of early 'martial arts' film in China / Zhang Zhen -- Postsadness Taiwan new cinema: eat, drink, everyman, everywoman / Meiling Wu -- Working from the margins: urban cinema and independent directors in contemporary China / Shuqin Cui -- Chinese film culture at the end of the twentieth century: the case of Not one less by Zhang Yimou / Sheldon H. Lu -- Transcultural spaces: toward a poetics of Chinese film / David Bordwell -- Poetics and politics of Hou Hsiao-hisen's films / Emilie Yueh-yu Yeh -- Jia Zhangke's cinematic trilogy: a journey across the ruins of post-Mao China / Xiaoping Lin -- Novels into film: Liu Yichang's Tête-bêche and Wong Kar-wai's In the mood for love / Thomas Y. T. Luk -- Crouching tiger, hidden dragon, bouncing angels: Hollywood, Taiwan, Hong Kong, and transnational cinema / Sheldon H. Lu -- Borrowing postcolonial: Wu Nianzhen's Dou-san and the memory mine / Darrell W. Davis -- Locating feminine writing in Taiwan cinema: a study of Yang Hui-shan's Body and Sylvia Chang's Siao yu / Shiao-ying Shen -- Fists of legend: constructing Chinese identity in the Hong Kong cinema / David Desser -- Hong Kong diaspora film and transnational television drama: from homecoming to exile to flexible citizenship / Sheldon H. Lu -- Hybridity and (g)local identity in postcolonial Hong Kong cinema / Chu Yiu Wai -- Global modernity, postmodern Singapore, and the cinema of Eric Khoo / Gina Marchetti.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.