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03105aam a2200421 i 4500 001 0EF009142FC611E7A3652FCCDAD10320 003 SILO 005 20170503010126 008 161004s2017 miua b 001 0 eng 010 $a 2016045491 020 $a 0472130315 020 $a 9780472130313 035 $a (OCoLC)959274725 040 $a DLC $b eng $e rda $c DLC $d YDX $d BDX $d OCLCO $d OCLCF $d OCLCQ $d ERASA $d YDX $d SILO 042 $a pcc 043 $a a-cc--- 050 00 $a ML193 $b .C45 2017 082 00 $a 780.951 $2 23 245 00 $a China and the West : $b music, representation, and reception / $c edited by Hon-Lun Yang and Michael Saffle. 264 1 $a Ann Arbor : $b University of Michigan Press, $c [2017] 300 $a xiv, 328 pages ; $c 24 cm 504 $a Includes bibliographical references and index. 520 8 $a Western music reached China nearly four centuries ago, with the arrival of Christian missionaries, yet only within the last century has Chinese music absorbed its influence. The emergence of "Westernized" music from China -concurrent with the technological advances that have made global culture widely accessible - has not established a prominent presence in the West. China and the West brings together essays on centuries of Sino-Western musical exchange by musicologists, ethnomusicologists, and music theorists from around the world. It opens with a look at theoretical approaches of prior studies of musical encounters and a comprehensive survey of the intercultural and cross-cultural theoretical frameworks-exoticism, orientalism, globalization, transculturation, and hybridization-that inform these essays. Part I focuses on the actual encounters between Chinese and European musicians, their instruments and institutions, and the compositions inspired by these encounters, while Part II examines theatricalized and mediated East-West cultural exchanges, which often drew on stereotypical tropes, resulting in performances more inventive than accurate.Part III looks at the musical language, sonority, and subject matters of "intercultural" compositions by Eastern and Western composers. Essays in Part IV address reception studies and consider the ways in which differences are articulated in musical discourse by actors serving different purposes, whether self-promotion, commercial marketing, or modes of nationalistic-even propagandistic-expression. 650 0 $a Music $x Chinese influences. 650 0 $a Music $z China $x Western influences. 650 0 $a Exoticism in music. 650 0 $a Orientalism in music. 650 7 $a Exoticism in music. $2 fast $0 (OCoLC)fst00918281 650 7 $a Music $x Chinese influences. $2 fast $0 (OCoLC)fst01030296 650 7 $a Music $x Western influences. $2 fast $0 (OCoLC)fst01030465 650 7 $a Orientalism in music. $2 fast $0 (OCoLC)fst01200643 651 7 $a China. $2 fast $0 (OCoLC)fst01206073 700 1 $a Yang, Hon-Lun, $e editor. 700 1 $a Saffle, Michael, $d 1946- $e editor. 941 $a 1 952 $l USUX851 $d 20170503024203.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=0EF009142FC611E7A3652FCCDAD10320 994 $a 92 $b IWAInitiate Another SILO Locator Search