The Locator -- [(subject = "Photography Artistic--20th century--Exhibitions")]

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Record 48 | Previous Record | Long Display | Next Record
03360aam a2200529Ia 4500
001 A7750968840811E89478B85797128E48
003 SILO
005 20180710010618
008 170922s2017    gw ac    bc   000 0dger d
020    $a 3775743464
020    $a 9783775743464
035    $a (OCoLC)1004661043
040    $a OHX $b eng $c OHX $d JPG $d OCLCF $d SILO
041 1  $a eng $a eng $h ger
043    $a e-gx---
050  4 $a TR647 $b .M47 2017
072  7 $a TR $2 lcco
082 04 $a 779.092 $2 23 
100 1  $a Messmer, Arwed, $d 1964-
245 10 $a RAF : $b no evidence = kein Beweis / $c Arwed Messmer ; [U˜bersetzungen ins Englische: Greg Bond, Simon Cowper].
246 3  $a Rote Armee Fraktion
246 30 $a No evidence
246 30 $a Kein Beweis
260    $a Berlin : $b Hatje Cantz, $c c2017.
300    $a approximately 128 pages : $b illustrations (some color), portraits ; $c 33 cm. + $e 1 supplement (44 unnumbered pages)
500    $a On the occasion of an exhibition held at the Museum Folkwang, Essen, June 9 - September 3, 2017; in cooperation with the Biennale fu˜r aktuelle Fotografie, Mannheim, September 9 - November 5, 2017.
500    $a Contains no title page, title from dust jacket.
500    $a Book has special paperback binding with spine not covered.
504    $a Includes bibliographical references.
520    $a "Numerous accounts of the RAF and the 'German fall' of 1977 have been given over the past forty years, from journalistic, historical, literary, cinematic, and artistic perspectives. Arwed Messmer works with the various photographs made by police photographers at the time - pictures of demonstrators, crime scene images, and mug shots. He asks how this historical search for criminological evidence can be employed artistically today. His narrative strikes an arc from the beginnings of the RAF to the multiple eruptions of violence in 1977, the abduction and murder of Hanns Martin Schleyer, and the deaths of Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe in Stammheim prison. Messmer's work also ahs an ethical dimension, asking which photographs can be shown, how can they be shown, and why we want to see them? This investigation touches on a key issue in the debate on images that are both historical documents and pictures with their own aesthetic quality and a powerful and independent potential for an empathetic examination of history"--Back cover of supplement.
546    $a Parallel texts in German and English.
600 10 $a Messmer, Arwed, $d 1964- $v Exhibitions.
610 20 $a Rote Armee Fraktion $v Exhibitions.
600 17 $a Messmer, Arwed, $d 1964- $2 fast $0 (OCoLC)fst01969102
610 27 $a Rote Armee Fraktion. $2 fast $0 (OCoLC)fst01732691
650  0 $a Photography, Artistic $y 20th century $v Exhibitions.
650  0 $a Documentary photography $z Germany $v Exhibitions.
650  7 $a Documentary photography. $2 fast $0 (OCoLC)fst00896093
650  7 $a Photography, Artistic. $2 fast $0 (OCoLC)fst01061964
651  7 $a Germany. $2 fast $0 (OCoLC)fst01210272
648  7 $a 1900-1999 $2 fast
655  7 $a Exhibition catalogs. $2 fast $0 (OCoLC)fst01424028
710 2  $a Museum Folkwang Essen.
711 2  $a Biennale fu˜r aktuelle Fotografie $d (2017 : $c Mannheim, Germany)
941    $a 1
952    $l OVUX522 $d 20191217030849.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=A7750968840811E89478B85797128E48

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