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03224aam a2200457 i 4500 001 4A2912FE462211E9A3F20F6897128E48 003 SILO 005 20190314012734 008 181129s2018 it af b 001 0 eng d 010 $a 2018445655 020 $a 8822265718 020 $a 9788822265715 035 $a (OCoLC)1078390656 040 $a ItFiC $b eng $e rda $c DLC $d FNE $d NARDE $d C3L $d GZM $d OCLCF $d MZA $d AUM $d CHVBK $d OCLCO $d IaU $d SILO 042 $a lccopycat 043 $a e-it--- 050 00 $a ND1329.T54 $b W33 2018 082 14 $a 750 100 1 $a Waddington, Raymond B., $e author. 245 10 $a Titian's Aretino : $b a contextual study of all the portraits / $c Raymond Waddington. 264 1 $a Firenze : $b Leo S. Olschki editore, $c 2018. 300 $a ix, 152 pages, 32 pages of plates : $b illustrations (chiefly color) ; $c 24 cm. 490 1 $a Biblioteca dell'"Archivum romanicum". Serie 1: Storia, letteratura, paleografia, $x 0066-6807 ; $v 484 504 $a Includes bibliographical references (pages 135-146) and index. 520 $a Pietro Aretino and Titian were compari. Titian designed author portraits for Pietro, five known painted portraits and two in narrative paintings. All were done in particular situations with intentions varying greatly in purpose and complexity. This study reconstructs these contexts as fully as possible, showing how they determine the concept of each portrait and enhance appreciation of Titian's artistry in revealing different aspects of Aretino's personality and character. After considering the author portraits, the study examines their relationship with Alfonso d' Avalos, who is featured with Aretino in both istorie, The Allocution and the Ecce Homo, in which Pietro appears as Pilate defending Christ. The earliest surviving independent portrait, 1538, represents Aretino as a divinely inspired writer. The 1545 portrait, conceived as one of a pair commemorating his condottiero friend Giovanni de' Medici, has the most complicated context. It was delayed by loss of Giovani's death mask, Titian's failure to do Giovanni's portrait, and further when Pietro's portrait was hidden from the recipient Cosimo I de' Medici. The study concludes with an assessment of their friendship 600 00 $a Titian, $d approximately 1488-1576 $x Criticism and interpretation. 600 10 $a Aretino, Pietro, $d 1492-1556 $x Portraits. 600 17 $a Aretino, Pietro, $d 1492-1556. $2 fast $0 (OCoLC)fst00040556 600 07 $a Titian, $d approximately 1488-1576. $2 fast $0 (OCoLC)fst01851272 650 0 $a Portrait painting, Italian $y 16th century. 650 0 $a Portrait painting, Renaissance $z Italy. 650 0 $a Portraits, Italian $y 16th century. 650 7 $a Art and literature. $2 fast $0 (OCoLC)fst00815400 650 7 $a Portrait painting, Renaissance. $2 fast $0 (OCoLC)fst01072237 651 7 $a Italy. $2 fast $0 (OCoLC)fst01204565 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 830 0 $a Biblioteca dell'"Archivum Romanicum." $n Serie I, $p Storia, letteratura, paleografia ; $v v. 484. 941 $a 1 952 $l OVUX522 $d 20191120032856.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=4A2912FE462211E9A3F20F6897128E48Initiate Another SILO Locator Search