Includes bibliographical references (p. [229]-239) and index.
Contents:
Introduction: women, art, and the sexual politics of (mis)representation in Edith Wharton -- Beauty enshrined: living pictures and still lifes; or, her body becomes his art -- Picturing Lily: body art in The house of mirth and "The potboiler"; or, her body becomes her art -- "Beauty enthrones": the muse's progress -- Angels at the grave; custodial work in the palace of art -- "We'll look, not at visions, but at realities": women, art, and representation in The age of innocence.
Series:
Studies in American literary realism and naturalism
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.